Ramón Carnicer

Ramón Carnicer i Batlle (October 24, 1789 – March 17, 1855) was a Spanish composer and opera conductor, today best known for composing the National Anthem of Chile.

Biography Carnicer was born in Tàrrega, Spain. His first major positions were as conductor for the opera, and he was influential in the development of the Spanish national opera style, zarzuela. He conducted the Italian Opera in Barcelona from 1818 to 1820, and the Royal Opera in Madrid from 1828 to 1830, as well as composing nine operas. Il dissoluto punito, ossia Don Giovanni Tenorio (1822, premiered again in 2006), Opera in Italian, in two acts, libretto by Giovanni Bertati. Elena e Malvina (1827), Opera in two acts Cristoforo Colombo (1829), Opera Eufemio di Messina (1832), Opera Guglielmo Tell (1834), Opera Eran due or sono tre, o sea, Gli esposti (1836), Opera buffa in two acts. Libretto by Jacopo Ferretti Ismalia o Morte ed amore (1838), Opera in two acts Laura y Don Gonzalo (1841), òpera in 4 acts. Music attributed to Carnicer. Libretto attributed to Manuel Bretón de los Herreros Ipermestra (1843), drama in three acts. Words by Pietro Metastasio. Authorship discussed Lucrezia Borgia. Attributed opera, some believe he only collaborated in the composition El sacristán de Toledo, opera. It's said he had only collaborated, composing incidental music

Instrumental Fantasía en mi bemol mayor, for clarinet Gran sinfonía en Re (1839) Fantasía original para clarinete con acompañamiento de piano (1849) Capricho para contrabajo con acompañamiento de piano (1852) (Capricho for doublebass with piano accompaniment) Melodía fantástica con acompañamiento de piano Sinfonía oriental Solo de flauta (solo for flute) Salmòdia for organ 6 Sonates per instrument de tecla''' Obertura (sinfonía) Composed for the premier of the opera Il barbiere di Siviglia by Rossini in Barcelona (1818) A second overture for that same opera

Vocal El caramba: canción andaluza (ca. 1832), Voice and piano or guitar Completas Fratres a 4 v., 4 voices, 6 instruments, accompaniment and continuo La criada: canción española (ca. 1832), voice, guitar and piano El currillo: canción andaluza (ca. 1835), voice, guitar and piano La gitanilla (ca. 1831), song for voice, guitar and piano Himno a los defensores de Gandesa (1838). Himno patrio de la República de Chile (1828) Himno patriótico, con motivo de la publicación del Estatuto Real (1834) Himno patriótico [para el] cumpleaños de la Reina Doña Isabel II (1835) El julepe: polo (1823), song for voice and guitar Misa de Réquiem (1929), 4 voices and orchestra, in Latin. For Maria Josepha Amalia de Saxony, Ferdinand VII third wife Misa de Réquiem (1842), 4 voices and orchestra, in Latin Misa solemne (entre 1806 i 1808), 8 voices and orchestra El músico y el poeta (Los maestros de la Raboso), tonadilla a dúo El no sé, song for voice, guitar and piano La noticia feliz: polo y seguidillas (1823), song for voice, guitar and piano El nuevo sereni (1825), song for voice, guitar and piano or guitar Odas de Anacreonte (1832), text original grec d'Anacreont i traducció castellana de José del Castillo y Ayensa, comprèn les cançons per a veu i piano De si mismo, A una muchacha i Del amor y la abeja El poder de las mugeres: canción española con acompañamiento de piano y guitarra (1836) Psalmodia que contiene todos los tonos (1818) Tantum Ergo Tonadilla de la cantinera (1813) Vigilias con orquesta para las exequias de Fernando VII (1833), in Latin El chairo: canción española cantada en la ópera "El barbero de Sevilla"'' (1833), lyrics by Agustín Azcona