Giuseppe Farinelli

Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso (1803, Venice), La contadina bizzarra (1810, Milan) and Ginevra degli Almieri (1812, Venice). More than 2/3 of his operas were produced between 1800 and 1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat Mater, a Salve Regina, a Tantum ergo, numerous motets, and several other sacred works.

Biography Born Giuseppe Francesco Finco in Este, he assumed the professional name of Farinelli after the famous castrato of that name in gratitude to the singer for his help in his musical education and his protection. He studied with Lionelli in Este and with Antonio Martinelli in Venice before going to Naples in 1785 to pursue studies at the Conservatorio della Pietà dei Turchini. While at the conservatory he was a pupil of Lorenzo Fago (harmony), Nicola Sala (counterpoint), Giacomo Tritto (composition), and Barbiello (singing). His first opera, Il dottorato di Pulcinella, displayed a talent for comedy and was performed at the conservatory in 1792 to an enthusiastic reception. His first opera performed in one of the public Italian opera houses was L’uomo indolente in Naples at the Teatro Nuovo in 1795. In 1808, his Cantata in three voices, words by Gaetano Rossi, titled Il nuovo destino was performed in celebration of the birthday of Emperor Napoleon in the hall of Monsignor Nicola Saverio Gamboni, Patriarch of Venice.

After several more years in Naples, Farinelli moved to Turin in 1810. He left there in 1817 to assume the position of maestro al cembalo at the Teatro Nuovo in Trieste. In 1819 he became maestro di cappella and organist of the Susa Cathedral, a position he held until his death in Trieste in 1836.

Operas (selection) Il dottorato di Pulcinella (farsa, G. Lorenzi), Naples, Conservatorio della Pietà dei Turchini, 1792 L’uomo indolente (dramma giocoso, 2 acts, G. Palomba), Naples, Teatro Nuovo, 1795 Annetta, o La virtù trionfa (farsa, 1 act, G. Artusi), Venice, S Samuele, 11 January 1800 Teresa e Claudio (farsa, 2 acts, G.M. Foppa), Venice, S Luca, 9 Sept 1801 Giulietta (dramma semiserio, G. Rossi), Parma, Ducale, carn. 1802; revised as Le lagrime d’una vedova, Padua, Nuovo, 1802 Il Cid della Spagna (dramma per musica, 2 acts A. Sografi, after P. Corneille's Le Cid), Venice, La Fenice, 17 February 1802 Pamela (farsa in musica, 1 act, Rossi, after C. Goldoni), Venice, S Luca, 22 Sept 1802; revised as Pamela maritata, Cingoli, 1806 Chi la dura la vince, (melodramma buffo, 2 Acts, G. Rossi), Rome, Teatro Valle, 2 January 1803 I riti d'Efeso (dramma eroico, 2 acts, Rossi), Venice, Fenice, 26 Dec 1803 Odoardo e Carlotta (opera buffa, 2 acts, L. Buonavoglia), Venice, S Moisè, 12 Dec 1804 Il finto sordo, (opera buffa, 2 acts, Angelo Anelli), Milan, Teatro Carcano, 18 April 1805 Climene (opera seria, 2 acts), Naples, S Carlo, 27 June 1806 Il testamento, o Seicentomila franchi [I seicentomila franchi] (farsa giocosa, 1 act, Foppa), Venice, Teatro San Moisè, 24 October 1806 Calliroe (melodramma eroico, 2 acts, libretto by Rossi), Venice, La Fenice, 3 January 1808 La contadina bizzarra (melodramma serio, Romanelli, after F. Livigni: La finta principessa), Milan, La Scala, 16 August 1810 Amor muto (Farsa, Foppa), Venice, Teatro San Moisè, 1811 Annibale in Capua (melodramma eroico, Romanelli), Milan, La Scala, 1811 Idomeneo (melodramma eroico, 2 acts, libretto by Rossi), Venice, La Fenice, 1812 Ginevra degli Almieri (tragicommedia, 3 acts, libretto by Foppa), Venice, Teatro San Moisè, 8 December 1812 Lauro e Lidia (dramma eroico, 2 acts, libretto by Andreoli), Turin, Teatro Regio, 1813 Il matrimonio per concorso (dramma giocoso, libretto by Foppa), Venice, Teatro San Moisè, 1813 Caritea regina di Spagna (opera seria, 2 acts), Naples, San Carlo Theater, 16 September 1814 Scipione in Cartagena (opera seria, libretto by Andreoli), Turin, Teatro Regio, 1815 La donna di Bessarabia (dramma per musica, 1 act, libretto by Foppa), Venice, Teatro San Moisè, January 1817