Auguste Maquet

Auguste Maquet (; 13 September 1813 – 8 January 1888) was a French author, best known as the chief collaborator of French novelist Alexandre Dumas, co-writing such works as The Count of Monte Cristo and The Three Musketeers.

Biography

Maquet was born in Paris in 1813. He studied at the Lycée Charlemagne where he became a professor at the age of 18. Trained as a historian, he turned to literature, and became close with such literary figures as Théophile Gautier and Gérard de Nerval. Through Nerval, he became acquainted with the already famous Dumas in 1838. Gérard de Nerval introduced Maquet to Dumas and asked the famous author to rewrite a play of Maquet's and publish it under his own name. Dumas was then given a manuscript by Maquet which Dumas went on to publish under his own name as Le Chevalier d'Harmental.

The two started writing historical romances together, with Maquet outlining the plot and characters in draft form and Dumas adding colourful dialogue and details. Maquet went on to produce a large solo body of work: historical romances, plays and an opera libretto. In 1861, he became an officer of the Legion of Honour. Maquet died comfortably well-off. He is buried in Père Lachaise Cemetery in Paris.

His brothers Charles and Hector Maquet were the founders of the luxury stationery manufacturer Maison Maquet.

Legacy Many devotees of Dumas claim that "Maquet was merely a dogsbody whose capacity for hard work was his greatest talent." Others, such as French Dumas expert Claude Schopp have claimed that Maquet was the real "fourth musketeer," responsible for the plots of The d'Artagnan Romances. Author Bernard Fillaire says "There is a tendency to dismiss [Maquet] as a drudge and that's just wrong...Of course he wasn't a Balzac or a Dickens...but he definitely had talent."

Maquet was portrayed by Belgian actor Benoît Poelvoorde in L'Autre Dumas (The Other Dumas, 2010).

Works With Dumas Maquet collaborated with Dumas on eighteen novels and many plays, including: Le Chevalier d'Harmental – Maquet's outline was called Bonhomme Buvat. Sylvandire (1843) – Based on Les Mémoires de Madame la Marquise de Fresne by Gatien de Courtilz de Sandras. Une fille du Régent (1845) The Three Musketeers (1844) The Count of Monte-Cristo (1844) Twenty Years After (1845) La Guerre des femmes (1845) Queen Margot (1845) Le Chevalier de Maison-Rouge (1845) La dame de Monsoreau (1845) Les Quarante-Cinq (1847) Le Bâtard de Mauléon (1847) Les Mémoires d'un Médecin:Joseph Balsamo (1848) Le Vicomte de Bragelonne (1848–1850) The Queen's Necklace (1850) The Black Tulip (1850) Olympe de Clèves (1852) Ange Pitou (1853) Ingénue (1853) Bathilde (play, 1839) – Maquet's original play was called Soir de carnaval. Queen Margot (play, 1847)

Novels De La Fontaine comparé comme fabuliste à Ésope et à Phèdre, 1832 Le Beau d'Angennes, 1843 Deux Trahisons, 1844 Histoire de la Bastille, 1844 Le Comte de Lavernie, 1852 La Chute de Satan, 1854 La Belle Gabrielle, 1854–1855 Dettes de cœur, 1857 La Maison du baigneur, 1857 La Rose blanche, 1858 L'Envers et l'Endroit, épisode de la fin du règne de Louis XIV, 1858 Les Vertes Feuilles, 1862 Paris sous Louis XIV. Monuments et vues, 1883

Plays Le Château de Grantier, 1852 Le Comte de Lavernie, 1854 La Belle Gabrielle, 1857 Dettes de cœur, 1859 La Maison du baigneur, 1864 Le Hussard de Bercheny, 1865 Valéria, 1851 (with Jules Lacroix) La Fronde, 1853 (with Jules Lacroix and music by Louis Niedermeyer) La Chambre rouge, 1852 (with Théodore Anne) L'Enfant du régiment, 1854 (with Théodore Anne)