Adèle Varillat

Adèle Tornézy-Varillat, née Anne Henriette Adélaïde Tornézy (1769–1861), was a French portraitist and genre painter active from the French First Republic into the early decades of the 19th century.

Life Tornézy-Varillat was born on 22 March 1769 into an upper-middle-class family in Fontaine-Française. She was the daughter of Anne Claudine Thévenin and Jean-Baptiste Marie Tornézy, a lawyer before the sovereign court who was also holder of the office of royal tax collector in Besançon. Her godfather was canon of the King’s Sainte-Chapelle in Dijon.

Her family’s resources enabled her to study art privately, first under the neoclassical painter Jean-Baptiste Regnault, and later with Guillaume Guillon-Lethière. Tornézy-Varillat’s work was first shown at the Salon de Paris in 1795, where her name appeared as Citoyenne Tornézy, following the revolutionary practice of replacing titles with the republican “citizen”. Her studio at this time was on rue de Saint-Pierre in Montmartre.

On the twelfth day of Brumaire, Year VI of the Republican calendar (6 November 1797) Tornézy married Claude-Joseph Varillat, a wine merchant. The couple moved to a building behind the Louvre on rue Jean-Jacques Rousseau, where Tornézy-Varillat occupied a fourth-floor studio until her husband's death in 1807. An inventory taken in May of that year recorded Tornézy-Varillat's working tools, including two easels, a box of paint, a set of plaster models, and two palettes.

Following her husband’s death, Tornézy-Varillat's appears to have ceased her exhibition activities for close to a decade.

In 1817 she began showing at the Royal Academy, having settled in London on Great Castle-Street near Cavendish Square. While in England, Tornézy-Varillat offered private painting lessons for young women, teaching figure painting in oils as well as miniature painting in watercolours. Classes were held at her studio for a fee of two guineas per month plus an entrance charge of half a guinea. Her advertisement in the Times described her as "a well-educated Parisian" from a "highly respectable circle of society".

She exhibited at the Royal Academy until 1820 and had returned to Paris by 1833, when she was recorded living on the rue du Colombier in the Faubourg Saint-Germain.

Exhibition history

Year Venue Work(s) Exhibited 1795 Paris Salon Portrait of a Woman (Portrait de femme) 1798 (Thermidor, Year VI) Paris Salon Portrait of a Man, Oval (Portrait d'homme, ovale) 1804 Paris Salon A Young Girl Trying to Read Her Fortune in a Daisy (Une jeune fille cherchant à lire son sort dans une reine-marguerite); A Young Woman Weeping Over Her Divorce (Une jeune femme pleurant sur son acte de divorce); A Young Woman Leaving the Baths (Une jeune femme sortant des bains) 1806 Paris Salon The Satisfied Mother (La mère satisfaite); Portraits Under the Same Number (Portraits sous le même numéro) 1817 Royal Academy, London Portrait of a Gentleman; Portrait of a Lady; Portrait of the Duc de Chartres 1818 Royal Academy, London Portraits of a Lady and Her Daughter; The Recovery, or filial affection 1819 Royal Academy, London Portrait of a Professor of the Harp 1820 Royal Academy, London Portrait of a Lady 1833 Paris Salon A Portrait of a Woman (Un portrait de femme)