William A. Huntley

The minstrelsy show-business of the 1860s, when Huntley was breaking into his career, meant performing in blackface. However Huntley also engaged with performing groups that labeled themselves vaudeville and with pantomime groups. He performed his solo act in variety shows, where he had more control over how he presented himself.

Huntley performed at Tony Pastor's. Starting in the mid-1860s, impresario Tony Pastor capitalized on middle class sensibilities and spending power when he began to feature "polite" variety programs in his New York City theatres. Pastor used the term "vaudeville" in place of "variety" in early 1876, hoping to draw a potential audience from female and family-based shopping traffic uptown by barring liquor in his theatres and bawdy material from his shows.

Huntley had been experimenting with a different image from the early 1870s. He was characterized by minstrel Edward LeRoy Rice as having been successful performing in whiteface.

Huntley was among the first to use the term classic banjo to describe his music. The phrase today means a style of playing the banjo bare fingered, picking out the notes with two fingers and a thumb. For Huntley, the term spoke of quality and he used it throughout the 1870s. Huntley became associated with Samuel Swaim Stewart, a banjo centered entrepreneur, and former blackface performer, who was trying to move the banjo toward greater respectability. Huntley was featured regularly in the S. S. Stewart Banjo and Guitar Journal, starting 1883, and Stewart published some of his music.

Huntley took to the idea of a refined image for the banjo, and modified an idea used by J. H. Haverly and other large minstrel performance companies. Some of their advertising posters showed them marching in solidarity, in formal dress and in white face. However, their performers would perform in blackface, still formally dressed. Huntley would show up as himself, dressed in full evening dress, to perform that way even in rough places like the Bowery.

From 1887 to 1893, he also performed at concerts organized by Fairbanks and Cole, high-end banjo manufacturers in competition with S. S. Stewart.

Works Methods Complete School of Harmony for the Banjo, Philadelphia: The W. F. Shaw Co., Wm. H. Keyser & Co., 1887

Compositions Musical score, voice and piano LOC are scores preserved at the Library of Congress. LSMC are scores preserved at the Lester M. Levy Sheet Music Collection. BERK are scores at the California Sheet Music Project at the Berkley Library.

He composed many song with lyrics by other musicians including Samuel N. Mitchell, Arthur W. French (1846-1919), Jerry Cohan (father of George M. Cohan ), George Birdseye and Ernest Hardenstein. 1871 LOC Addie Alleen. Words by Samuel N. Mitchell, music by William A. Huntley. 1871 LOC Come sing to me Addie again. Words by Sam N. Mitchell, music by William A. Huntley. 1871 LOC Down the meadow, 'neath the clover. Words by Sam N. Mitchell, music by William A. Huntley. 1871 LOC Goodbye, dear Mother! Words by Sam N. Mitchell, music by William A. Huntley. 1871 LOC Oh Nixie, that's too thin. Words by Sam N. Mitchell, music by William A. Huntley. 1871 LOC Our sweet little rosebud has flown. Words by Sam N. Mitchell, music by William A. Huntley. 1871 LOC When the moon is rising, Allie. Words by Samuel N. Mitchell, music by William A. Huntley. 1872 LOC Bring the absent back to me. Words by Samuel N. Mitchell, music by William A. Huntley. 1872 LOC Down among the daisies. Words by Arthur W. French, music by William A. Huntley. 1872 LOC Kiss me, love, before I go. Words by Arthur W. French, music by William A. Huntley. 1872 LOC Under the silvery stars. Words by Arthur W. French, music by William A. Huntley. 1873 LOC Close the door softly, for mother's asleep. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC Down beside the crimson meadow. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC Down the vale where Lillie sleeps. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC Just try it once for luck. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC Let me kiss him ere I go. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 Mamma, come sing me to sleep. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC My button hole boquet. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC 'Neath the rose leaves on the hillside. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC The girl that took my eye. Words by Jerry Cohan, music by William A. Huntley. 1873 LOC Under the buttercups. Words by Samuel N. Mitchell, music by William A. Huntley. 1873 LOC Where have the dear children gone?. Words by Samuel N. Mitchell, music by William A. Huntley. 1874 LOC Oh just you wait and see. Words by Samuel N. Mitchell, music by William A. Huntley. 1874 LOC We met by chance, sweet Jenny. Words by Samuel N. Mitchell, music by William A. Huntley. 1875 LOC When the purple lilacs blossom. Words by Samuel N. Mitchell, music by William A. Huntley.

Alcoholism 1872 LOC Mother and I have been waiting. Words by Samuel N. Mitchell, music by William A. Huntley.

Death 1878 LOC Our Willie died this morning. Words by Samuel N. Mitchell, music by William A. Huntley.

Flirtation 1878 LOC Just to please the boys. Words by Jerry Cohen, music by William A. Huntley.

Goodbye to a love 1880 BERK Bye and bye you will forget me. Words by Arthur W. French, music by William A Huntley.

Home 1875 LOC LSMC Take me back to home and mother. Words by Arthur W. French, music by William A. Huntley. 1879 IMSLP BERK Some Day I'll Wander Back Again. Words by Arthur W. French, music by William A. Huntley. 1883 LOC Must we leave the old home, mother?. Words by Arthur W. French, music by William A Huntley.

Hunger 1874 IMSLP Hush, My Little Darling. Words by Samuel N. Mitchell, music by William A. Huntley.

Love at a distance 1878 LOC Black eyed Binie's gone to rest. Words by Arthur W. French, music by William A. Huntley. 1883 LOC Waiting a letter from overseas. Words and music by William A. Huntley.

Minstrelsy 1879 LOC LSMC I'm going home to Clo. Words by Samuel N. Mitchell, music by William A. Huntley.

Money 1878 LOC Your pocket book's your friend. Words by William S. Austin, music by William A. Huntley.

Religious theme 1871 LOC The angels are calling me, Mother. Words by Samuel N. Mitchell, music by William A. Huntley. 1871 LOC They are calling me to join them. Words by Samuel N. Mitchell, music by William A. Huntley. 1885 LOC Raise me, Jesus, to thy bosom. Words by George Birdseye (1844-1919), music by William A. Huntley.

Romance 1872 When the song bird says good night. Words by Samuel N. Mitchell, music by William A. Huntley. 1878 LOC When the birds have gone to sleep. Words by Arthur W. French, music by William A. Huntley. 1880 LOC Come and meet me, Rosa darling. Words by Samuel N. Mitchell, music by William A. Huntley. 1883 LOC Little one, whisper you love me. Words by Arthur W. French, music by William A Huntley.

Romance and marriage 1885 LOC Say but that tender word, Yes. Words by Ernest Hardenstein, music by William A. Huntley. 1885 LOC She's as pretty as the roses in the morning. Words and music by William A. Huntley.

Musical score, banjo instrumentals 1883. Sweet Pretty Waltz. Shows published banjo compositions. Fireman's March, arranged by William A. Huntley Dream of Love Waltz Some Day I'll Wander Back Again Huntley's Favorite Hornpipe Flirtation Schottische Golden Sunset Waltz Queen of the Waves Waltz Let Her Go Galop Golden Star Schottische Perfection Mazurka Huntley's Grand March Wedding Bells Gavotte Queen of Beauty Waltz 1883 Rocky Point Schottische. 1884 Central Park Polka. 1884 Mandoline Schottische. Composed by William A. Huntley. 1884 Sweet Pretty Waltz. 1885 Fascination Waltz. 1885 Rocky Point Schottische for banjo and piano. 1885 Whistling Wind Schottische.

Musical score, piano instrumentals 1872 LOC Mitchell Waltz. Written to honor Samuel N. Mitchell. 1883 Flirtation Schottische 1883 Our Brigade, Grand March

Huntley's works arranged by other artists 1877 The Girl That Took My Eye, schottische. Music by William A. Huntley, arranged for piano by J. S. Knight. 1880 LOC Take me back to home and mother [instrumental]. Words by Arthur W. French, music by William A. Huntley, transcription for piano by Francis Florentine Hagen. 1883 LOC Some Day I'll Wander Back Again. Transcribed for piano by Adam Geibel. 1884 Take me back home to mother. Arranged for Cornet by Thomas A. Becket. Published by W F Shaw. Galveston, Tex. : Thos. Goggan & Bro., 1884. 1885 LOC Some Day I'll Wander Back Again. Arranged for cornet and piano by Thomas A. Becket, Jr. 1906 LSMC Some Day I'll Wander Back Again, fantasia for piano. Adam Geibel.

Compositions recorded by other artists Huntley's compositions were recorded by artists between 1898 and 1926 on Berliner, Victor, Columbia and Edison labels. Examples include: Bye and bye you will forget me. William A Huntley; Arthur W French; S H Dudley; Roger Harding. New York : E. Berliner's Gramophone, 1898. Some day I'll wander back again. Clarence Whitehill; Arthur W French; William A Huntley. Camden, N.J. : Victrola, Take me back to home and mother. William A Huntley; Clarence Whitehill; Arthur W French. Camden, N.J. : Victor, When the twilight comes to kiss the rose good night Robert F Roden; H W Petrie; Elsie Baker; Frederick J Wheeler; William A Huntley. Camden, N.J. : Victor Record, Will you love me when I'm old? Margaret Keyes; Joseph Ford; William A Huntley; Columbia Stellar Quartette. New York : Columbia,