Vladimir Golschmann

Vladimir Golschmann (16 December 18931 March 1972) was a French and American conductor.

Biography

Vladimir Golschmann was born in Paris to a Jewish family. He studied violin at the Schola Cantorum in Paris. He was a notable advocate of the music of the composers known as Les Six. In Paris, he had his own concert series, the Concerts Golschmann, which began in 1919. He became the director of music activities at the Sorbonne, at the behest of the French government. Golschmann also conducted performances at the Ballets Russes of Sergei Diaghilev.

Golschmann was the music director of the Saint Louis Symphony Orchestra (SLSO) from 1931 to 1958, their longest-serving music director. His initial contract was for 3 years, and the successive contracts were renewed yearly. For the last three years of his tenure, he was named conductor emeritus, during their search for a successor music director. He was initiated as an honorary member of the New Zeta chapter of Phi Mu Alpha Sinfonia music fraternity in 1949. Golschmann remained in the US, becoming a citizen in 1957.

In 1957 Golschmann joined forces with a young Glenn Gould and the Columbia Symphony Orchestra to record Ludwig van Beethoven's Piano Concerto No. 1 in C major, Op. 15 and Johann Sebastian Bach's Concerto No. 5 in F minor, BWV 1056 for Columbia Masterworks (ML 5298, 1958).

In his later years, Golschmann also worked with the orchestras of Tulsa and Denver. He died in New York City. Premieres Golschmann conducted several world premieres, including, all in Paris except the last: Le bœuf sur le toit, ballet by Darius Milhaud, Comédie des Champs-Élysées, 1920 Pastorale d'été by Arthur Honegger, Salle Gaveau, 1921 La belle excentrique, suite by Erik Satie, Théâtre du Colisée, 1921 El retablo de Maese Pedro by Manuel de Falla, palace of the Princesse de Polignac, 1923 La création du monde, ballet by Darius Milhaud, Théâtre des Champs-Élysées, 1923 Divertissement, by Jacques Ibert, Salle Pleyel, 1930 Suite Française, by Maurice Jaubert, Saint-Louis Violin Concerto by Robert Schumann (original version), with Yehudi Menuhin, 1937 Violin Concerto by Erich Wolfgang Korngold with Jascha Heifetz, Saint Louis, 1947. Source: .

Recordings

Johann Sebastian Bach: Keyboard Concerti Nos 2–5, 7 with Glenn Gould / Columbia Symphony Orchestra Samuel Barber: Music for a Scene from Shelley, Second Essay with the Symphony of the Air Béla Bartók: Piano Concerto No. 3 with Leonard Pennario / SLSO Hector Berlioz: Symphonie fantastique with the Vienna State Opera Orchestra César Franck: Symphony in D minor with the SLSO Sergei Prokofiev: Piano Concerto No. 3 with Leonard Pennario / SLSO Sergei Rachmaninoff: Piano Concerto No. 2 with Leonard Pennario / SLSO Arnold Schoenberg: Verklärte Nacht, with the SLSO recorded 1945 Dmitri Shostakovich: Symphony No. 5 with the SLSO Pyotr Ilyich Tchaikovsky: Romeo and Juliet fantasy-overture, Francesca da Rimini with the SLSO Roy Harris: Folksong Symphony with the American Festival Chorus and Orchestra "Modern French Music", a circa 1950 Long playing record, Capitol Records, P8244. On this recording he conducted the Concert Arts Orchestra. The program was Honegger: Pastorale d'été; Milhaud: Le bœuf sur le toit; Satie: Three Gymnopédies; Ravel: Le tombeau de Couperin. "Nights in the Gardens of Spain", 1958 Long playing record, RCA Victor, LM1091. Arthur Rubinstein piano; St. Louis Symphony Orchestra. de Falla: Noches en los jardines de España ("Nights in the Gardens of Spain"); Wolfgang Amadeus Mozart: Piano Concerto No. 23.