Thomas Sills

Thomas Sills (August 20, 1914 – September 26, 2000) was an American painter and collagist and a participant in the New York Abstract Expressionist movement. At the peak of his career in the 1960s and 1970s, his work was widely shown in museums. His work was regularly featured in art journals and is in museum collections.

Biography

Early years

Thomas Sills was born and raised in Castalia, North Carolina. He was born to a family of eleven and would later live with one of his older brothers in Brooklyn. Before he got involved with painting, he worked in a greenhouse in Raleigh, North Carolina, where the color around him made a strong impression on him. He received as much of a formal education as a black child could in rural, segregated North Carolina. Once in New York, he worked as a doorman at Paramount Theater at Dekalb and Flatbrush Avenues in Brooklyn. He returned to Raleigh from 1947-1948 to assist one of his brother's cleaning and pressing services before returning to Brooklyn. Then he worked on the docks as a stevedore three days a week and the rest of the time at a liquor store in Greenwich Village.

Career Sills began to experiment in art in 1952, about the time he married the mosaicist and art collector Jeanne Reynal, who was an important member of the surrealist movement in the United States. Self-taught and inspired by Reynal's collection of abstract art, he began working with the materials he found in her mosaic studio, but soon branched out to oil on wood as well as canvas. He originally used items such as magnesite, nails, dirt, rocks, enamel, housepaints, and other items onto wood while experimenting with his style.

Sills spent most of his creative life in New York City, deeply rooted in the artistic trends as well as cultural issues from the early 1950s to 1970s. He knew Willem de Kooning who visited his studio and told him not to throw anything away before anyone had seen it.

Others in the NY circle gave him advice. At the time of his first solo show, Barnett Newman sent him a letter of congratulations. His friendships with Newman and Mark Rothko placed him at the intellectual center of the Abstract Expressionist movement, but like de Kooning, Arshile Gorky and Franz Kline, Sills believed that it was not necessary to explain his art; he painted what he felt and it came from within.

At the peak of his career in the 1960s and 1970s, his work was widely shown in museums and his work was regularly featured in art journals. His work was exhibited in Encore, Five Abstract Expressionists at Sidney Mishkin Gallery of Baruch College, The City University of New York in 2006.

His work is featured in numerous collections nationally, including The Metropolitan Museum of Art, The Whitney Museum of American Art, the Museum of Modern Art, the San Francisco Museum Modern of Art, the Brooklyn Museum of Art, the High Museum of Art, the Studio Museum in Harlem, and the Newark Museum.

Death and legacy Thomas Sills died on September 26, 2000, in New York City at the age of 86. The Estate of Thomas Sills is represented by Eric Firestone Gallery.

Selected solo exhibitions Eric Firestone Gallery, New York, NY, Thomas Sills: Variegations, Paintings 1950s–70s, 2022 Corcoran Fine Arts, Cleveland, OH, Thomas Sills Retrospective Exhibition, 2005 Art Association of Newport, Newport, RI (solo) 1972

Collections San Francisco Museum of Modern Art, CA: 1 piece (as of June 2021) Metropolitan Museum of Art, NY: 1 piece (as of June 2021) Los Angeles County Museum, CA Museum of Modern Art, NY: 1 piece (as of June 2021) Rose Art Museum, Waltham, Massachusetts: 1 piece (as of June 2021) Williams College Museum of Art, Williamstown, Massachusetts: 1 painting (as of March 2023) Footnotes