Stella Kramrish

Stella Kramrisch (May 29, 1896 – August 31, 1993) was an Austrian-American pioneering art historian and curator who was the leading specialist on Indian art for most of the 20th century. Her scholarship remains a benchmark to this day. She researched and taught Indian art history for more than six decades on three continents. After writing her dissertation on the essence of early-buddhist sculpture in India, she was invited to teach at Kala Bhavana in Shantiniketan (1922–24) and went on to teach at Calcutta University from 1924 to 1950. In Europe, Kramrisch worked at the Courtauld Institute, London (1937–1940). From 1950, she was professor at the University of Pennsylvania in the Department of South Asia Regional Studies, where she had been recruited by W. Norman Brown, in addition to being a prominent curator at the Philadelphia Museum of Art.

Early life and education in Vienna Stella Kramrisch was born on May 29, 1896, in Nikolsburg, Austria (now Mikulov, Czech Republic). She was trained as a ballet dancer growing up in Austria. When Kramrisch was about 10 her parents moved to Vienna. One day she came across a translation of the Bhagavadgita: "I was so impressed it took my breath away." She had found what she wanted to do in her life.

She enrolled at the University of Vienna, studying at the department of art history with Professors Max Dvořák and Josef Strzygowski. She focused her studies on Indian art and culture. Thus she learned Sanskrit and read philosophy, literature and anthropology. In 1919, she successfully completed her studies by earning her doctorate.

Professional life in India She traveled to London in 1919 as part of a university delegation to give three lectures at Oxford. Rabindranath Tagore heard her speak and invited her to come to India and teach at the Visva-Bharati University in Santiniketan in 1922. She was appointed professor of Indian art at the University of Calcutta in 1924. In same year she discovered Badami cave temples. She taught In kala Bhawan until 1950.

In 1924 her first monograph Principles of Indian Art was published in German, which was reviewed widely in various journals throughout Europe. In the 1920s Kramrisch kept traveling to Vienna to give lectures. Various articles of her colleagues in Vienna appear as English translations in the Journal of the Indian Society of Oriental Art which Kramrisch edited from 1933 onwards together with Abanindranath Tagore. Her seminal publication "Indian sculpture" (1933) was a profound analysis of Indian sculpture, conceptualized in size and format to function as an actual handbook.

After the British left India in 1947, her husband Laszlo Nemenyi opted to work for the new government of Pakistan and moved to Karachi. In 1950 he was found shot dead on a beach. She emigrated to America the same year.

Professional life in the United States Stella Kramrisch moved to the United States in 1950, invited by the Sanskritist W. Norman Brown to teach in the newly formed Department of South Asia Regional Studies at the University of Pennsylvania. She was Professor of South Asian Art until her retirement in 1969. She was also adjunct professor of Indian Art at the Institute of Fine Arts in New York from 1964 to 1982. She served as the Curator of Indian Art at the Philadelphia Museum of Art from 1954 until 1979 and was Curator Emeritus until her death. Barbara Stoler Miller and Wayne E. Begley were among her students. Prof. Kramrisch was succeeded by Michael W. Meister in 1976 who is currently the W. Norman Brown Professor of South Asia Studies and History of Art at the University of Pennsylvania.

Kramrisch died on August 31, As noted in the Philadelphia Museum of Art's published memorial, Kramrisch's writings were even more far-reaching as many of her books continue to be used in universities around the world.

Selected bibliography Grundzüge der Indischen Kunst. Avalun Verlag, 1924. The Visnudharmottaram: A Treatise on Indian Painting and Image-Making. Calcutta University Press, 1928. "Indische Kunst", in: Handbuch der Kunstgeschichte, hg. v. Anton Springer. Alfred Kröner Verlag, 1929. Indian Sculpture. The Heritage of India Series. Oxford University Press, 1933. The Hindu Temple. 2 Bd. University of Calcutta, 1946. Unknown India: Ritual Art in Tribe and Village. Philadelphia Museum of Art, 1968. Presence of Śiva. Princeton University Press, 1981.