Richard Tobin

Richard Tobin (; 1766 – December 1847) was an Irish luthier and maker of violins, violas, cellos and pochettes. Tobin's work was largely uncredited, often branded under the names of his employers and other shops that enlisted him for his sought-after workmanship. As a luthier, he has been described as "a genius". As well as being known for the quality of his instruments, Tobin is famous for the workmanship of his scrolls, of which it has been said "never did Antonio Stradivari cut better".

Early life Tobin was born near Dublin around 1766. Musicologist Brian Boydell suggested that he was probably born in Waterford, possibly because of the connection with some of his earlier instruments. However, luthier and historian Rev. William Meredith Morris states that "according to his own account he [Tobin] was born a few miles out of Dublin". The year in which Tobin was born has also been debated, with estimates varying from as early as 1760 to as late as 1777. Burial and workhouse records from the UK National Archives confirm that Tobin was born in 1766.

Tobin is said to have developed a love for the violin in early childhood from hearing it being played at parties and wakes. He started making violins as a young boy out of boxes and scrap wood. Rev. Morris describes how at the age of fourteen, Tobin made a fairly good instrument out of a willow block and sold it to a neighbouring fiddle player. The neighbour is said to have brought the instrument to the attention of renowned Dublin luthier, Thomas Perry, who was so impressed with its workmanship that he decided to take Tobin on as his apprentice.

It is not known who Tobin's parents were, or where they were from. A violin from Tobin's time at the Perry firm inscribed 'Richard Tobin Junior' suggests that he may have been named after his father. However, it is possible that Tobin appended 'Junior' to his name to indicate that he was an apprentice at the time.

Career Apprenticeship and early career: 1783–1810 Tobin apprenticed with the renowned Dublin luthier Thomas Perry around 1783–1790. One instrument bearing his label gives Waterford as his residence in 1800. Tobin is believed to have worked briefly for Bartholomew Murphy of Cork shortly afterwards and is listed at Patrick St., Cork in 1805. He then worked independently before moving to London on the advice of Vincenzo Panormo, who had earlier worked for Perry.

London and later career: 1810–1847 Tobin's earliest London work is dated 1810 and appears to have been made under the aegis of Henry Lockey Hill. A violin dated 1817 is signed ‘R. Tobin for L. Hill’ internally. He was established in St Leonard Street, Finsbury Square, and from 1823 in his own premises at 9 West Street, Soho. Tobin's son, George, was apprenticed to him around 1823–1830 and was an active violin maker around 1830–1840, but has mistakenly been recorded as "James Tobin" by historians. Like his father, George's work is very rarely identified and generally unlabelled, and he is thought to have worked exclusively for other violin makers and dealers. Panormo's son, Louis, later set up his shop in the area, as did French luthier, Georges Chanot III. To this day, the surrounding area of Soho in London is known for its violin makers and sellers, including Tarisio, J & A Beare, Ingles & Hayday, Bishop Instruments & Bows and Stringers of London.

Tobin was thought to be eccentric and intemperate, often trying the temper of his employers. He was known to go through extended periods of heavy drinking, until all his savings were spent after which he would remain sober for several months until he had saved up enough money again. He failed to sustain himself as a luthier in later life, ending up in Shoreditch poorhouse in 1845. He died in early December, 1847 and was buried in a pauper's grave in St Leonard's, Shoreditch on 7 December 1847.

Extant instruments

It is unknown how many instruments Tobin produced in his lifetime. Some of them still survive today and occasionally come up for sale or auction, others are housed as part of collections or exhibits. However, many more are likely uncredited or branded under the names of his employers or their shops. One of his violins, made in London , is now part of The Harrison-Frank Family Foundation collection and is currently on loan to violinist Emma Pantel. One of Tobin's cellos, currently played by Thomas Mesa, was used to record soundtracks for the first movies ever created. One of his pochettes (also known as a kit or dance master's fiddle) is currently housed in the National Music Museum, Vermillion, South Dakota.

Some of Tobin's notable instruments:

Violins 1789: Dublin, Labelled 'Made by Thos. Perry, 6 Anglesea Street, Dublin, No. 533, 1789', inscribed internally 'Richard Tobin Junior' on the inner table and inner bottom rib. (No. 407): Waterford, Labelled 'Made by Richard Tobin, Mus. Instr. Maker, Waterford' Cork, branded externally 'TOBIN/CORK' beneath the button. 1810: London, unlabelled (Cozio 104007). London, unlabelled (Cozio 104008). London, The Harrison-Frank Family Foundation collection, used by Emma Pantel London, stamped internally 'TOBIN, LONDON'

Cellos 1820: London, used to record soundtracks for the first movies ever created, previously used by Thomas Mesa

Pochettes National Music Museum collection, Vermillion, South Dakota