Owen Murphy

Owen Murphy (September 2, 1893 – April 3, 1965) was an American songwriter, film maker, and writer for radio, film, and theatre. He worked as a lyricist, composer, and playwright for Broadway musicals and as a songwriter for Tin Pan Alley in the 1920s and 1930s. As a film maker he was an early maker of industrial films. He also was a writer for comedian Joe Cook for both the stage and radio.

Early life and education Owen Murphy was born on September 2, 1893, in Mount Clemens, Michigan. He earned a Bachelor of Arts degree from the University of Notre Dame and a Juris Doctor degree from the University of Pittsburgh School of Law. This was followed by the musical Red Pepper which was staged at the Shubert Theatre in 1922. For this show, Murphy co-authored the music with Albert Gumble and the lyrics with Howard Emmett Rogers. Gumble and Murphy's score was rooted in jazz at a time when musical tastes on Broadway were just beginning to shift in that direction. Their forward thinking score shocked the reviewer in the New York Post who criticized their music for its embrace of that music genre.

Murphy was co-lyricist with Eugene Conrad for the 1924 musical Top-Hole at the Fulton Theatre, and that same year was a contributing lyricist to the musical revue Artists and Models at the Astor Theatre. He was a contributing writer to both the book and lyrics of The Earl Carroll Vanities of 1925. That same year he co-wrote both the music and lyrics for The Greenwich Village Follies with Harold Levey. He collaborated with Levey again on both the music and lyrics for the 1926 musical Rainbow Rose which was staged at the Forrest Theatre. With composer Milton Ager he co-wrote the music to the 1928 musical Rain or Shine which was written as a starring vehicle for comedian Joe Cook.

With Robert A. Simon, Murphy co-wrote the lyrics to the musical The Gang's All Here which was staged at the Imperial Theatre in 1931. He was a composer and lyricist for, Hold Your Horses (1933, Winter Garden Theatre), in collaboration with many other contributing creatives. It too was a musical crafted specifically for Joe Cook. Murphy went on to write regularly for Cook as both a song and script writer for his performances on both stage and radio in the 1930s.