Onna White

Onna White (March 24, 1922 – April 8, 2005) was a Canadian choreographer and dancer whose work spanned Broadway and film. She received eight Tony Award nominations and an Academy Honorary Award for her choreography of Oliver!.

Early life and career Born in Inverness, Nova Scotia, White began taking dance lessons at the age of twelve, and eventually her studies took her to the San Francisco Ballet, where she danced in the first full-length U.S. production of The Nutcracker.

Her first Broadway performance was in Finian's Rainbow in 1947. Her next Broadway assignment was in Hold It! (1948), where she had progressed to dance captain. By 1950, in the long-running Broadway production of Guys and Dolls, she both performed and assisted the choreographer, Michael Kidd, beginning an association that lasted through Silk Stockings various productions until, in 1956, she choreographed her first Broadway show, Carmen Jones. She choreographed both the Broadway (1957) and screen (1962) versions of The Music Man. Other Broadway shows included Take Me Along (1959), Irma La Douce (1960), I Had a Ball (1964), Half a Sixpence (1965), Mame (1966, and the film version in 1974), 1776 (1969 and the film version in 1972), Gigi (1973) and I Love My Wife (1977), among others.

Choreographic approach White's choreography was closely tied to character, story and the abilities of individual performers. In a 1991 profile, the Los Angeles Times described her as a meticulous planner known for both large-scale dance sequences and work tailored to the needs of particular characters and dramatic situations. Actress Bea Arthur, who worked with White on Mame, said that White's choreography continued the dramatic action rather than interrupting it for a musical number.

White also emphasized adapting movement to performers rather than imposing a fixed style. In a 2003 interview for American Masters, she described listening closely to a show's score and allowing its rhythms to influence the choreography, while using ballet training as a technical foundation. She frequently worked with performers who did not consider themselves dancers; recalling 1776, White described finding movement that its largely non-dancing cast could perform comfortably.

Personal life She married actor Larry Douglas in 1948, who was an understudy to Robert Preston in The Music Man; they divorced in 1959. They had two children: Jeanne and Stuart. In 1964, Douglas married Susan Luckey, who played the role of Zaneeta in the film of The Music Man.

White died at her home in West Hollywood, California, on April 8, 2005, at the age of 83.

Awards The Academy of Motion Picture Arts and Sciences voted White an Academy Honorary Award for Oliver! (1968), one of the rare occasions that the Academy recognized choreography in film. Other recipients include Gene Kelly for "career achievements", Jerome Robbins for "choreographic achievement on film", Michael Kidd (White's mentor) for "services to the art of dance in the art of the screen" and Stanley Donen for "body of work". Fred Astaire's was much earlier, and was for his body of work.

Contemporary reviews also highlighted the film's musical staging. Variety credited White's dance ensembles as an important part of the production.

The Academy's citation for White's Honorary Award read: "To Onna White for her outstanding choreography achievement for Oliver!."

Theater credits

1947 Finian's Rainbow (performer) 1949 Regina (performer) 1950 Guys and Dolls (performer) 1950 Arms and the Girl (performer) 1955 Silk Stockings (performer) 1956 Carmen Jones (choreography) 1957 The Music Man (choreography) 1958 Whoop-Up (choreography) 1959 Take Me Along (choreography) 1960 Irma La Douce (choreography) 1961 Let It Ride (choreography) 1964 I Had a Ball (choreography) 1965 Half a Sixpence (choreography) 1966 Mame (choreography) 1967 Illya Darling (choreography) 1969 1776 (musical staging) 1970 Gantry (direction and choreography) 1971 70, Girls, 70 (choreography) 1974 Gigi (choreography) 1974 Billy (choreography) 1975 Goodtime Charley (choreography) 1979 I Love My Wife (musical staging) 1978 Working (dance and musical staging)

Choreographed films

The Music Man (1962) Bye Bye Birdie (1963) Oliver! (1968) 1776 (1972) The Great Waltz (1972) Mame (1974) Pete's Dragon (1977)

Tony Award nominations

1958 Best Choreography for The Music Man 1959 Best Choreography for Whoop-Up 1960 Best Choreography for Take Me Along 1961 Best Choreography for Irma La Douce 1965 Best Choreography for Half a Sixpence 1966 Best Choreography for Mame 1968 Best Choreography for Illya Darling 1977 Best Choreography for I Love My Wife