Olivier Guimond, père

Olivier Guimond (père) (born March 18, 1893, in Sudbury, Ontario, died October 9, 1954, in Montreal, Quebec) was a Canadian comedian, humorist, and burlesque revue leader who was very famous in Quebec between the mid-1910s and the late 1940s. He was the father of comedian Olivier Guimond (fils) and the grandfather of dubbing actor Richard Darbois.

Biography

Early years He started his career at a very young age, in English. He played in a duet with Nosey Black, a New York vaudeville performer. But this early career did not support him and he had to work at other jobs such as a shoeshine boy at the Ottawa train station.

It was there that Arthur Petrie, who became Juliette Petrie's husband, discovered Olivier Guimond while on tour in Ontario around 1912. While waiting to catch a train at the Ottawa Station, he stopped to shine his shoes. The young man shining his shoes was Olivier Guimond and he kept singing and dancing while doing his job. Arthur Petrie offered him a better salary and Olivier followed him for the rest of the tour. From his first appearance, he was so successful that Arthur Petrie gave him a bigger role and quickly gave him the stage name of "Ti-zoune" that another comic, who had already left the theater, had held before him. The first "Ti-zoune" was Pierre Desrosiers, the father of Jacques Desrosiers. The nickname is sometimes spelled "Tizoune" without the hyphen, but the most commonly observed form remains "Ti-zoune".

In a few weeks, he became one of the stars of Arthur Petrie's troupe. There he met Effie MacDonald, a dancer, whom he married in 1913. Olivier Guimond (fils) was born of this union in 1914.

Burlesque troupe leader In the late 1910s, he co-directed a successful burlesque troupe with Arthur Petrie. However, a dispute led Guimond to create his own troupe. The separation between the two partners was difficult.

Their son (Olivier Guimond Jr.) accompanied them on their tours until the age of seven (1921); they then sent him to boarding school at Mont-Saint-Louis in Ahunstic, Montreal.

Initially (in the late 1910s and early 1920s), no doubt influenced by the context of the time, his Franco-Ontarian childhood, and the influence of American burlesque, Ti-zoune performed in English in Montreal even though his audience was mostly French-speaking. He made the transition to French gradually from the mid-1920s and participated in the creation of a French-language burlesque repertoire. He was thus following in the footsteps of his former associate Arthur Petrie, who had begun presenting burlesque shows in French in the late 1910s. Indeed, in the early 1920s, Olivier Guimond had a major influence on Rose Ouellette's career, even going so far as to give her her stage name, "La Poune".

According to Juliette Petrie and Jean Grimaldi,