Marek Szwarc

Marek Szwarc (9 May 1892 – 28 December 1958) was a painter and sculptor associated with the School of Paris (École de Paris), as well as with the Yiddish cultural avant-garde movement in Poland Yung-yidish.

Early years Marek Szwarc was born in Zgierz, Poland, on 9 May 1892, the youngest of ten sons. His eldest brother was Polish-Portuguese mining engineer and historian Samuel Schwarz.

During the First World War Szwarc returned to Poland. In 1919 he met and married his wife, Guina, a writer, and together they returned to Paris after the war. Until the Second World War, Szwarc lived in Paris and his paintings and sculptures were bought by collectors in Germany, Poland, the United States, and by several museums. It was during this period between the wars that he produced some of his most outstanding and original work in hammered copper, exhibited in the Salon des Tuileries and the subject of a monograph by the celebrated art critic Louis Vauxcelles. Vauxcelles writes of Szwarc: "By virtue of its poetic concepts, by its firm and generous execution, by the sense of its cadenced dispositions, by the sharp graphics written in view of the material and which commands this very material, it is apparent that Marek Szwarc is in harmony with the most audacious innovators of our times, who seek him out and see him as a maître". In 1922 to 1923 Szwarc contributed to the Berlin and Warsaw based avant-garde Yiddish Journal Albatros (אלבאַטראָס), edited by poet and publicist Uri Zvi Greenberg.

Szwarc participated in the important 1922 Düsseldorf Congress of the International Union of Progressive Artists, where signed its founding proclamation alongside Jankel Adler, and Stanislaw Kubicki, as representatives of the Polish Avant-Garde.

Szwarc exhibited in numerous leading galleries, including Israel Ber Neumann's New Art Circle Gallery in New York, in 1926, Fritz Gurlitt in Berlin, Lilla Gallery, Stockholm, and Ludwig Schames in Frankfurt.

In 1929, the distinguished critic and novelist Ludwig Lewinsohn described Szwarc as an "interesting phenomenon in the history of civilization" writing that his "profound and instinctive Jewishness will in the long run broaden and not narrow the appeal of his arresting and vital work".

Death Marek Szwarc died suddenly at the age of 66, in Paris. His wife, Guina died in Paris in 1973. In 2010 the French publishing house ressouvenances.fr brought out an edition of Szwarc's memoirs, which he dictated to his wife Eugenia (Guina) Markowa in 1954 titled Marek Szwarc: Memoires entre deux mondes.

Works and exhibitions Szwarc's work, broadly identified in style with the École de Paris, was frequently but not exclusively concerned with biblical themes from the Old and New Testament. The latter motifs coming into play after his conversion to Catholicism in 1919. His identity as a Jew, however, never wavered, as is evidenced in his article, The National Element in Jewish Art, published in a Yiddish literary journal in Warsaw in 1925.

He exhibited in Sweden, Austria, France, Canada, Belgium, Poland, and several sculptures were bought by the French government.

The artist's works are on display in museums, public halls, places of worship, and private collections in Poland, Israel, Montreal, Caracas, the United States, and England.