Karel Hynek Mácha

Karel Hynek Mácha (16 November 1810 – 5 November 1836) was a Czech romantic poet. His poem Máj is among the most important poems in the history of Czech literature.

Biography Mácha was born on 16 November 1810 in Prague. He grew up in Prague, the son of a foreman at a mill. He learned Latin and German in school. He went on to study law at Prague University; during that time he also became involved in theatre (as an actor he first appeared in Jan Nepomuk Štěpánek's play Czech and German in July 1832 in Benešov ), where he met Eleonora Šomková, with whom he had a son out of wedlock. He was fond of travel, enjoying trips into the mountains, and was an avid walker and traveler. Mácha was friends with the Slovenian poetic giant France Prešeren. Eventually he moved to Litoměřice, a quiet town some 60 km from Prague, to prepare for law school exams and to write poetry. Three days before he was to be married to Šomková, just a few weeks after he had begun working as a legal assistant, Mácha overexerted himself while helping to extinguish a fire and soon thereafter died. It is not certain what he died of. Some sources state that the cause of his death was pneumonia. The day after his death had been scheduled as his wedding day in Prague.

Mácha was buried in Litoměřice in a pauper's grave. Recognition came after his death: in 1939, his remains were exhumed, and they were given a formal state burial at the Vyšehrad Cemetery in Prague. Czech playwright Josef Kajetán Tyl even wrote a parody of Mácha's style, "Rozervanec" (The Chaotic). "Máj" was rejected by publishers, and was published by a vanity press at Mácha's own expense, not long before his early death. Josef Bohuslav Foerster set May for choir and orchestra as his Op.159.

Mácha's genius was discovered and glorified much later by the poets and novelists of the 1850s (e.g., Jan Neruda, Vítězslav Hálek, and Karolina Světlá) and "Máj" is now regarded as the classic work of Czech Romanticism and is considered one of the best Czech poems ever written. It contains forebodings of many of the tendencies of 20th-century literature: existentialism, alienation, isolation, surrealism, and so on.

Mácha also authored a collection of autobiographical sketches titled Pictures From My Life, the 1835–36 novel Cikáni (Gypsies), and several individual poems, as well as a journal in which, among other things, he detailed his sexual encounters with Šomková.