Janko Polić Kamov

Janko Polić Kamov (; 17 November 1886 – 8 August 1910) was a Croatian novelist, playwright, writer, and poet. Although his oeuvre is small due to his short life, he is considered a significant writer in Croatian literature. Emblematic of the contemporary anger and displeasure over the hypocrisy and injustice of his time. His is considered to be his modernist novel Isušena kaljuža ('A Dried Mire', 1906–1909), which contains the psychosexual and spiritual conflicts of the iconoclastic narrator, later described as a proto-existentialist. The novel, described as the premier Croatian avant-garde major work of prose, was printed for the first time in 1956, nearly forty-six years after Polić Kamov's death. Because of that, he earned a reputation as one of the greatest rebels and iconoclasts in the history of Croatian culture.

Biography He was born in Sušak, Rijeka on 17 November 1886, the thirteenth of fourteen children born to and Gemma ( (Also recorded as Gerbaz, in accordance with German orthographic conventions.) Polić was familiar with literature early in his life, where his father's expansive library provided him with ample exposure to Croatian literature and his father's connections as a public employee and staunch supporter of the nationalist Party of Rights made his father friends with many notable Croats of the period, such as , , Ante Starčević, and Frano Supilo. Ante was also a correspondent of Josip Juraj Strossmayer and Silvije Strahimir Kranjčević. With in 1903, Ante published and managed a newspaper in support of the Pure Party of Rights, with Politeo serving as editor-in-chief.

In 1902, the family's wealth collapsed after two of the daughters died of tuberculosis and the family relocated to Zagreb.

Because of his participation in – and an altercation with the police at – the demonstration against the Hungarian then-ban Khuen-Héderváry, he was sentenced to three months in prison in 1903.

After his release, he left Zagreb to travel with an acting troupe across Dalmatia, Bosnia and Herzegovina, and Montenegro. While in Montenegro, the troupe performed for Nikola I of Montenegro, with Polić working as a prompter in a production of Henrik Ibsen's Ghosts. His writings have been variously labeled as proto-modernist, avant-garde, absurdist, existentialist, futurist, and surrealist, and is considered to be a highly original author for the period. His work paved way and influenced later Croatian authors such as Miroslav Krleža and Antun Branko Šimić. A number of his works have been translated into English during the 1990s such as ('Freedom') or ('Sorrow'), which led the American literary theorist Geoffrey Hartman to describe him as the biggest literary discovery during that period.

Works Poetry Psovka (Curse), (Zagreb, 1907) Ištipana hartija, (Zagreb, 1907)

Short stories Ćaskanja, Izdanje knjižare G. Trbojevića, Rijeka, 1914. Ecce Homo Brada Sloboda Žalost Katastrofa Bitanga Žena Odijelo Stjenica

Plays Iznakaženi (written, 17 and 18 December 1904) Tragedija mozgova: tri scene (Zagreb, 1907) Na rođenoj grudi: dramatizovana studija (Zagreb, 1907) Samostanske drame, 1908. Orgije monaha Djevica Čovječanstvo, 1908. Mamino srce, 1910.

Novels Isušena kaljuža ("A Dried Mire"; 1906–1909)