Emanuel Leutze

Emanuel Gottlieb Leutze (May 24, 1816 – July 18, 1868) was a German-born American history painter, best known for his 1851 painting Washington Crossing the Delaware. He is associated with the Düsseldorf school of painting.

Biography Leutze was born in Schwäbisch Gmünd, Kingdom of Württemberg. He was brought to the United States as a child in 1825. His parents settled first in Fredericksburg, Virginia, and then at Philadelphia. The first development of his artistic talent occurred while he was attending the sickbed of his father, when he attempted drawing to occupy the long hours of waiting. His father died in 1831. At 14, he was painting portraits for $5 apiece. Through such work, he supported himself after the death of his father. In 1834, he received his first instruction in art at the classes of John Rubens Smith, a portrait painter in Philadelphia. He soon became skilled, and promoted a plan for publishing, in Washington, portraits of eminent American statesmen; however, he was met with slight encouragement. In 1842, he went to Munich, studying the works of Cornelius and Kaulbach, and, while there, finished his Columbus before the Queen. The following year he visited Venice and Rome, making studies from Titian and Michelangelo. His first work, Columbus before the Council of Salamanca (1841) was purchased by the Düsseldorf Art Union. A companion picture, Columbus in Chains, procured him the gold medal of the Brussels Art Exhibition, and was subsequently purchased by the Art Union in New York; it was the basis of the 1893 $2 Columbian Issue stamp. In 1845, after a tour in Italy, he returned to Düsseldorf, marrying Juliane Lottner It is now owned by the Metropolitan Museum of Art in New York. In 1854, Leutze finished his depiction of the Battle of Monmouth, "Washington rallying the troops at Monmouth", commissioned by an important patron, the banker David Leavitt of New York City and Great Barrington, Massachusetts.

New York City and Washington, D.C. In 1859, Leutze returned to the United States and opened a studio in New York City. In 1859, he painted a portrait of Chief Justice Roger Brooke Taney, which hangs in the Harvard Law School. In a 1992 opinion, Justice Antonin Scalia described the portrait of Taney, made two years after Taney's infamous decision in Dred Scott v. Sandford, as showing Taney "in black, sitting in a shadowed red armchair, left hand resting upon a pad of paper in his lap, right hand hanging limply, almost lifelessly, beside the inner arm of the chair. He sits facing the viewer and staring straight out. There seems to be on his face, and in his deep-set eyes, an expression of profound sadness and disillusionment."

Leutze also executed other portraits, including one of fellow painter William Morris Hunt. That portrait was owned by Hunt's brother Leavitt Hunt, a New York attorney and sometime Vermont resident, and was shown at an exhibition devoted to William Morris Hunt's work at the Museum of Fine Arts, Boston in 1878.

In 1860, Leutze was commissioned by the U.S. Congress to decorate a stairway in the Capitol Building in Washington, DC, for which he painted a large composition, Westward the Course of Empire Takes Its Way, which is also commonly known as Westward Ho!.

Late in life, he became a member of the National Academy of Design. He was also a member of the Union League Club of New York, which has a number of his paintings. At age 52, he died in Washington, D.C. of heat stroke. He was interred at Glenwood Cemetery. At the time of his death, a painting, The Emancipation of the Slaves, was in preparation.

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