Elgar Howarth

Elgar Howarth (4 November 1935 – 13 January 2025) was an English conductor, composer and trumpeter. Grove noted that "his performances are marked by powerful concentration and a clear communication of sometimes complex scores". He conducted many world premieres, including Ligeti's Le Grand Macabre and four operas by Harrison Birtwistle. He composed mainly music for brass instruments and brass bands, some under the pseudonym W. Hogarth Lear. the son of Oliver and Emma Howarth. His father was an engineer who also conducted the Barton Hall Works Band, in which Elgar played cornet and his brother Stanford trombone. where his fellow classmates included the composers Harrison Birtwistle, David Ellis, Alexander Goehr, Peter Maxwell Davies and the pianist John Ogdon. Together they formed New Music Manchester, a group dedicated to the performance of new music.

Career After his national service He played the opening bars of Michael Tippett's King Priam at its Coventry premiere in 1962, conducting the whole work years later for English National Opera (ENO). Kempe was his conducting idol, in whom he admired "an incredibly clear beat with the right hand, and the left hand for all the nuance" which he sought to emulate. Following further work on the concert platform, Ligeti engaged him for the premiere of his Le Grand Macabre at the Royal Swedish Opera in Stockholm in 1978, He later reflected that "no one in Stockholm realized how inexperienced" he was and he didn't tell them. He recalled "I never thought I'd get into opera, because I don't play the piano. I knew I had a natural technical ability, but I was naive about other things... I was never assistant conductor to anybody, so I didn't know how far ahead you had to plan, how many string rehearsals you would need, whether it would be OK for the first oboe not to come to the first rehearsal". He conducted the first performance of Phaeton, a one-act opera by Alan Ridout on Radio 3 in March 1977. Following Le Grand Macabre he made his debut in Gothenburg in 1979 with Peter Grimes and a year later with Australian Opera with Boris Godunov. In Paris he conducted the premiere of Erzsébet by Charles Chaynes in 1983.

As a devoted advocate of contemporary music, Howarth gave the premieres of many instrumental works, including Domination of Black by Robin Holloway (symphonic poem for large orchestra, 1974), Orchestra by Morton Feldman (1976), Inner Light 2 by Jonathan Harvey (singers, 12 players and tape, 1977), La Terre est un homme by Brian Ferneyhough (orchestra, 1979), Invenzioni by Aribert Reimann (for twelve instruments 1979), Nadira by Philippe Capdenat (for soprano, speaker, choir and orchestra, 1983), Waarg by Iannis Xenakis (for thirteen instruments, 1988), Scene by Hans-Jürgen von Bose (for chamber orchestra, 1991), and Tom-a-Bedlam by Detlev Müller-Siemens (voices and chamber orchestra, 1991). Alongside Philip Jones, Howarth played in the "hair-raisingly difficult" premiere of Iain Hamilton's Circus, for 2 trumpets and orchestra given by the London Philharmonic Orchestra in 1969.

As a composer and former trumpet player, he wrote mainly for brass instruments. Swedish trumpeter Håkan Hardenberger premiered several of his works on cornet, including his Cornet Concerto, Canto, and Capriccio. He wrote arrangements such as Carnival of Venice variations for brass ensemble and Mussorgsky's Pictures at an Exhibition arranged for Philip Jones Brass Ensemble, a group he had both played in and conducted. Composer Roy Newsome remarked that "Howarth's masterly rendition of Mussorgsky's Pictures at an Exhibition (1979) dwarfed all previous transcriptions".

Howarth maintained his interest in brass band music, Many of his works were recorded, most notably by the Grimethorpe Colliery Band (as E. Howard) and the Eikanger-Bjørsvik band. He commissioned music for brass band from composers such as Birtwistle, Thea Musgrave and Hans Werner Henze. Howarth conducted the soundtrack for Frank Zappa and Tony Palmer's film 200 Motels.

Awards and fellowships He became a Fellow of the RMCM in 1970. In 1997, he won the Olivier Award for Outstanding Achievement in Opera in 1997 for conducting English National Opera’s Die Soldaten and The Prince of Homburg. He was made a Fellow of the Royal College of Music (FRCM) in 2000.

In December 2003, Howarth was revealed to have rejected a CBE.

Recordings His discography includes Schoenberg's Pierrot lunaire with Cleo Laine and the Nash Ensemble, and the suite from Stravinsky's The Soldier's Tale, Dumbarton Oaks and Octet for wind in 1974, works by Brian Ferneyhough with the London Sinfonietta in 1978, Copland's Appalachian Spring and Music for Movies with the London Sinfonietta in 1981, music for brass by Paul Hindemith with the Philip Jones Brass Ensemble in 1981, Birtwistle's Gawain with the orchestra and chorus of the Royal Opera House in 1996, which won a Gramophone Award in 1996,

A number of personal copies of works Howarth conducted (some including annotations) were catalogued at the University of East Anglia's School of Music. These were donated in July 2025 to the Library of the Royal Northern College of Music in Manchester, of which Howarth was an alumnus.

Personal life and death Howarth married Mary Neary in 1958; they had three children. They moved from London to Beccles, Suffolk. Neary died in 2024.