Bobby Jameson

Robert Parker Jameson (April 20, 1945 – May 12, 2015) was an American singer-songwriter who was briefly promoted as a major star in the early 1960s and later attracted a cult following with his 1965 album Songs of Protest and Anti-Protest, issued under the name Chris Lucey. The album's dark lyrics and sophisticated arrangements led its advocates to note similarities with Love's 1967 album Forever Changes. For decades, little was known about Jameson or his origins, and he was more famous for engaging in public disturbances and suicide attempts than his music.

Starting his career in 1963, Jameson was hyped as the next major pop event in an elaborate promotional campaign that ran in the magazines Billboard and Cashbox. For the next five years, he released 11 singles across eight different American and British record labels. At one point, he was the opening live act for the Beach Boys, Jan and Dean, and Chubby Checker, and also declined an offer to join the Monkees. From the mid 1960s to early 1970s, Jameson was active in Los Angeles underground music circles, working with musicians such as Frank Zappa and members of Crazy Horse. During this period, he participated in the Sunset Strip riots, appeared as a subject in the 1967 documentary Mondo Hollywood, and garnered a reputation as someone who had ruined his chances at success. After Songs of Protest and Anti-Protest, he released only two more albums: Color Him In (1967), a collaboration with Curt Boettcher, and Working (1969), an album of cover songs.

Jameson's life was affected by personal misfortune, followed by alcoholism and criminal activity. He grew increasingly frustrated and disillusioned with the music industry, alleging that his managers and employers failed to ensure him financial compensation and royalties, and that some companies had illegally claimed the intellectual property rights to his songs. For much of the 1970s he was institutionalized or homeless, but eventually achieved sobriety. After 1985, he left the music business completely, and was rumored to be dead for many years. In 2002, Songs of Protest and Anti-Protest was reissued without Jameson's knowledge, and in response, he resurfaced in 2007 with a series of autobiographical blog posts and YouTube videos, which he maintained until his death in 2015.

Childhood Bobby Jameson was born in Geneva, Illinois, but by the age of 10 was living with his mother, stepfather and brother in Tucson, Arizona. He and his brother began to learn guitar and entered talent contests, before his parents divorced. The brothers and their mother then lived in various small towns in Arizona, before moving to Glendale, California in 1962. he made his first record, "Let's Surf", with Elliot Ingber on guitar, on the Jolum label in 1963.

In 1964, while sharing a house in Hollywood with Danny Whitten, Billy Talbot, and Ralph Molina (later of Crazy Horse), Jameson met Tony Alamo, who became his manager and promised to make him a star. Alamo mounted a major promotional campaign in the music press, describing the 19-year-old Jameson as "The Star Of The Century" and "The World's Next Phenomenon". Jameson later wrote:

For some reason, that is still a mystery to me to this day, Tony just started promoting me in Billboard and Cashbox magazine without ever telling me he was going to do it. He just showed up one day in a coffee shop in Hollywood with a copy of both publications and I was in them. We had no contract, no agreement of any kind and no record. But there I was, world wide in both mags. I don't know what I can say to describe how weird it was to be nobody and then have that happen....The ads continued to run for 9 weeks doubling in size with each new edition. Half page, three quarter page, full page and so on. By the 8th week the ad ran in Billboard only and was a 4 page, full color fold out...

Jameson recorded a single for Alamo's label, Talamo, "I'm So Lonely" / "I Wanna Love You", both self-penned songs. The record became a regional hit in the Midwest and Canada, and as a result he opened shows for The Beach Boys and Chubby Checker, and appeared on American Bandstand. However, the follow-up, "Okey Fanokey Baby", was less successful, and Jameson wanted to get away from Alamo's increasingly manipulative behavior.

As a friend of P.J. Proby, who had already achieved success in Britain, Jameson traveled to London, where Andrew Loog Oldham had expressed an interest in recording him. There, he recorded "All I Want Is My Baby", co-written by Oldham and Keith Richards and probably featuring session guitarist Jimmy Page, with a Jagger/Richards B-side, "Each and Every Day of the Year". After appearing on the TV show Ready Steady Go!, featuring his gimmick of wearing a glove on only one hand, he stayed in London and in 1965 recorded "Rum Pum" / "I Wanna Know", produced by Harry Robinson, for the Brit Records label set up by Chris Peers and Chris Blackwell. Again, however, it was unsuccessful and Jameson returned to Los Angeles. He released a solo album, Duce of Hearts, in 1975.

Although Songs of Protest and Anti-Protest was not promoted commercially, and was ignored when first released in late 1965, over the years it acquired a strong reputation. According to Dean McFarlane at Allmusic:

This sought after psychedelic pop gem... [is] often compared to Love's Forever Changes, in that it is an intricate exploration of sophisticated arrangements and bleak and twisted lyricism... [It] may have been a little too courageous for its time, tackling blues, exotic - almost lounge arrangements and pure pop psychedelia. Its beauty is in its absolute fracture and collage of a million and one ideas.

Part of its appeal to record collectors was its obscurity

"Vietnam" and Mondo Hollywood

Early in 1966, Jameson recorded (under his own name) a single for the Mira label, "Vietnam" / "Metropolitan Man", on which he was backed by members of The Leaves, who had recorded Jameson's song "Girl from the East" on their own album, Hey Joe. In 2010, writer Jon Savage described "Vietnam" as "an all-time garage-punk classic – a vehement statement against a war that, by early 1966, was already spiralling out of control." However, at the time the record was barely promoted and did not receive airplay because, according to Jameson, its sentiments were seen as too contentious, and Jameson himself had a reputation as someone who had blown his chances of success. In addition to The Leaves, playing drums on the recording session for "Vietnam" was the elusive musician Don Conka from the group Love.

Jameson was featured, along with many others, in the experimental 1967 documentary movie Mondo Hollywood, directed by Robert Carl Cohen, in which he talked about his beliefs and career, and was filmed with his then-girlfriend Gail Sloatman (later the wife of Frank Zappa) and recording "Metropolitan Man". Both the singles, "Reconsider Baby" and "Gotta Find My Roogalator", were arranged and produced by an uncredited Frank Zappa, who also played guitar, with other musicians including Carol Kaye and Larry Knechtel. Jameson also recorded a single, "All Alone", for Current Records. However, none of the records were commercially successful. According to Jameson, Handler dropped him from the label after Jameson turned down a sexual advance. At about the same time, he was considered for one of the roles in The Monkees, but decided not to pursue the opportunity, and for a time became actively involved in anti-Vietnam War protests in Los Angeles.

He began working with arranger and producer Curt Boettcher on an album, Color Him In. The album, credited simply to Jameson, was released in early 1967 by Verve Records as a result of Jameson's connections with Zappa. Two singles on the Verve label, "New Age" and "Right By My Side", followed that year. However, Verve were unwilling to release Jameson's later recordings, and he left the label in 1968. By this time, Jameson was making increasing use of LSD, other drugs and alcohol, and was arrested 27 times, being charged at one point with assaulting a police officer. In 1968, he recorded his last album, Working!, for the small GRT label, with musicians including James Burton, Jerry Scheff and Red Rhodes. In 2007, Jameson started a blog, detailing his life and his continuing attempts to seek some financial recompense for his earlier recordings.

Discography

Albums Songs of Protest and Anti-Protest (as Chris Lucey, Surrey, 1965; issued in UK on Joy label as Too Many Mornings by Bobby Jameson) Color Him In (as Jameson, Verve, 1967) Working! (GRT, 1969)

Singles "Let's Surf" / "Please Little Girl Take This Lollipop" (as Bobby James, Jolum, 1963) "I Wanna Love You" / "I'm So Lonely" (Talamo, 1964; issued in UK on London label) "Okey Fanokey Baby" / "Meadow Green" (Talamo, 1964) "All I Want Is My Baby" / "Each And Every Day of the Year" (Decca (UK), 1964) "Rum Pum" / "I Wanna Know" (Brit (UK), 1965) "Vietnam" / "Metropolitan Man" (Mira, 1966) "All Alone" / "Your Sweet Lovin'" (Current, 1966) "Reconsider Baby" / "Lowdown Funky Blues" (Penthouse, 1966) "Gotta Find My Roogalator" / "Lowdown Funky Blues" (Penthouse, 1966) "New Age" / "Places Times and the People" (as Jameson, Verve, 1967) "Right By My Side" / "Jamie" (as Jameson, Verve, 1967) "Palo Alto" / "Singing The Blues" (GRT, 1969) "Stay With Me" / "Long Hard Road" (as Robert Parker Jameson, RCA, 1978)