Antje Weithaas

Antje Weithaas (born 1966) is a German classical violinist. Apart from solo recitals and chamber music performances, she has played with leading orchestras in Europe, Asia and the United States.

Career

Born in Guben, Weithaas studied at the Hochschule für Musik "Hanns Eisler" in Berlin. In 1987 she won the Kreisler-Wettbewerb in Graz, in 1988 the International Johann Sebastian Bach Competition in Leipzig and in 1991 the International Joseph Joachim Violin Competition in Hannover, Weithaas worked for some years as a professor at the Berlin University of the Arts Central to her chamber music work is the Arcanto Quartet, with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. Harmonia Mundi has published her recordings of works by Béla Bartók, Johannes Brahms, Maurice Ravel, Henri Dutilleux, Claude Debussy and Franz Schubert.

Weithaas partners with the pianist Silke Avenhaus on tours and on five recordings of works by Schubert, Brahms, Felix Mendelssohn, Antonín Dvořák, Josef Suk and French composers on the label CAvi-Music. As the artistic director of Camerata Bern, Weithaas was responsible for the recording of two Beethoven works for the ensemble's 50th anniversary, the String Quartet No. 11 and Richard Tognetti's arrangement of the Kreutzer Sonata.

Other collaborators in chamber music include the cellist , the clarinettist Sharon Kam, Christian Tetzlaff (violin) and Tanja Tetzlaff (cello) and the pianist Lars Vogt. Weithaas is part of the core of artists appearing at the festival Spannungen – Musik im Kraftwerk Heimbach, at the electrical power station Kraftwerk Heimbach. Weithaas, Avenhaus and the horn player Marie-Luise Neunecker perform as a trio.

Concertos Weithaas has a repertoire of classical concertos by Mozart, Beethoven and Robert Schumann, contemporary works such as Jörg Widmann's first concerto, and modern classics such as the concertos by Dmitri Shostakovich, Sergei Prokofiev, and György Ligeti, as well as rarely performed concertos such as those by Erich Wolfgang Korngold, Othmar Schoeck and Sofia Gubaidulina. Fiona Maddocks, a reviewer for The Guardian, wrote in 2015 that a recording by Weithaas of Bruch's Violin Concerto reminded her "with quiet and compelling eloquence, why it's a masterpiece".