Alejandro Bonilla

Alejandro Bonilla Correa-Cruzado (1820–1901) was a Dominican painter and teacher, considered one of the fathers of the national Dominican pictorial tradition. A close friend to the founding fathers of Dominican independence, “La Trinitaria” (Juan Pablo Duarte, Matías Ramón Mella, and Francisco del Rosario Sánchez), he was the first to paint their portraits and one of the signatories of the Manifesto of January 16, 1844. The first important national painter and career, or professional, artist, Bonilla established a workshop in his home city and went on to become teacher to other prominent Dominican painters. His works were mostly of the realist, or romantic style. Art historian and critic Danilo de los Santos attributes Bonilla as the most perceptible and formal starting point of Dominican art. A contemporary of Duarte, Bonilla began art lessons early in life in his hometown, likely receiving artistic guidance from native painters Domingo Echavarría, Leon Cordero or Epifanio Billini, or the foreign artist Alex De Brye, who resided in Santo Domingo in the late 1830s. Around this time, Bonilla, in his late teen years, traveled to Venezuela after the political situation in Dominican Republic intensified, living there throughout the 1840s while continuing art lessons. Upon arriving in his hometown, Bonilla establishes a workshop in his home, which survives today as a historical landmark named "La Casa del Pintor" (The Painter's House). Portrait artist to many influential residents of the capital's society, he painted the first of two oil portraits of national hero Juan Pablo Duarte in 1887, produced from memory since Duarte was living in Venezuela at the time, in exile. This first painting was originally shipped to Venezuela, where Duarte's family lived. Bonilla's representations of Duarte were the basis for later paintings and sculptures by Luis Desangles (1861-1940) and Abelardo Rodríguez Urdaneta (1870-1933). Many of his other works are depictions of the country's urban spaces, and the environments of old towns in sentimental compositions.

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