Agathe Backer Grøndahl

Agathe Ursula Backer Grøndahl (1 December 1847 – 4 June 1907) was a Norwegian pianist and composer. Her son Fridtjof Backer-Grøndahl (1885–1959) was also a pianist and composer, who promoted his mother's compositions in his concerts.

Biography

Early life Agathe Ursula Backer was born in Holmestrand in 1847, in a wealthy and art-loving home, as the second youngest of four sisters, all gifted in drawing and music. In 1857, she moved with her family to Christiania, where she studied with Otto Winther-Hjelm, Halfdan Kjerulf and Ludvig Mathias Lindeman. She won fame there with her interpretation of Beethoven's "Emperor" Concerto.

Her parents heavily discouraged her performance career, believing it was unsuitable for a woman. They believed she was better suited to life as a house-wife. In a letter to Kjerrulf, she wrote, “I do not understand how both you and my parents could object to the fact that I want to become what one calls a female artist… It seems to me that a beautiful, independent future for a woman can be found in the simple act of striving, if possible, to be able to present an enjoyable experience to people, especially if that future included a way to travel and see a little of the world! But time will decide. I just feel that there is something in me that will never give me peace… for I love art so much that the desire to master it is indescribable.”

Return to Norway After returning to Norway in 1868, she debuted in Christiania with the Philharmonic Society, playing the "Emperor" Concerto under the direction of Edvard Grieg, then 26 years old. Later the same year she played at the Gewandhaus in Leipzig, becoming a pupil of Franz Liszt in Weimar in 1873. During the second half of the 1870s she built up an outstanding pianist career with a series of concerts in the Nordic countries, also playing with very great success in London and Paris. 1898 Music festival in Bergen by Agnes Nyblin. Left to right: Christian Cappelen, Catharinus Elling, Ole Olsen, Gerhard Rosenkrone Schelderup, Iver Holter, Agathe Backer Grøndahl, Edvard Grieg, Christian Sinding, Johan Svendsen and Johan Halvorsen In 1889 and 1890 she gave concerts in London and Birmingham with a wide-ranging program, including Grieg's piano concerto. At the World Exhibition in Paris in 1889, she repeated her success with her brilliant interpretation of Grieg's piano concerto. Agathe Backer Grøndahl died at her home in Ormøya outside Christiania at the age of 59. Today she is chiefly remembered for her piano compositions.

Compositional style Agathe Backer Grøndahl played a major role in the period often called the golden age of Norwegian music history. She composed in total some 400 pieces spanning seventy opus numbers. She was a prominent character on the Norwegian musical scene and a close friend of Edvard Grieg. Her earlier compositions synthesized the predominant pianistic and stylistic ideas of 1850s Europe. In her later years however, her style transformed and anticipated some of the early twentieth century impressionistic ideas, which ultimately led the composer Pauline Hall to call her the first true Norwegian impressionist.

List of works

Songs 3 Songs, Op. 1, (1868–9) 5 Songs, Op. 2, (1871) 5 Songs, Op. 3, (1870–73) 7 Songs, Op. 4, (1869–74) 4 Songs, Op. 5, (1871–2) 6 Songs, Op. 6 (1867–71) Summer Life, 4 Songs, Op. 7 5 Songs, Op. 8 (1871–6) 6 Songs, Op. 9 (1871–9) 4 Songs, Op. 10 (1871–5) 5 Songs, Op. 12 (1879) 5 Songs, Op. 13 (1881) 6 deutsche Lieder, Op. 14 6 Songs, Op. 16 Songs at Sea, Op. 17 (1884) 7 Folkeviser og Romanser, Op. 18 Serenade, Op. 21 (1888) 5 Songs, Op. 23 (1888) 6 Songs, Op. 26 (1890) 6 Songs, Op. 27 (1890) Chant de Noces: Bryllupsmorgen, Op. 28 (1890) 10 Songs, Op. 29, (1892) 10 Songs, Op. 31, (1894) Norske folkeviser, arrangements, Op. 34 (1894) The Night is Calm, Old Folks Waltz, Op. 40 (1897) 5 Songs, Op. 41 (1897) The Child's Spring Day, song cycle, Op. 42 (1899) 8 kjaempeviser, Op. 43 (1896–7) 20 folke- og skjaemteviser, Op. 43 (1896–7) 5 Songs, Op. 46, (1897–9) 2 Sange fra havet, Op. 48 3 Sange i moll, Op. 49 Sommer (Jynge), 8 songs, Op. 50 (1899) 12 folkeviser og melodier fra fremmede lande, Op. 51 (1902) The Mother Sings, 8 songs, Op. 52 (1900) Sydover 6 songs, Op. 54 1900 Ahasverus, 6 songs, Op. 56 (1900) 6 deutsche Liebeslieder aus der Jugend, Op. 60 (1869–1900) Clover Field, Op. 62 (1901) 4 Songs, Op. 65 (1901–4) One more Glimpse, Op. 70 (1907)

Piano solo 6 concert-etuder, Op. 11 (1881) 3 morceaux, Op. 15 (1882) 4 , Op. 19 (1886) Suite, 5 movements Op. 20 (1887) 3 études, Op. 22 (1888) 6 idylles, Op. 24 (1888) 3 klaverstykker, Op. 25 (1890) Norske folkeviser og folkedanse, Op. 30 (1891) 3 études de concert, Op. 32 (Copenhagen, 1895) Norske folkeviser og folkedanse, Op. 33 (1894) 3 klaverstykker, Op. 35 (1894) Fantasistykker, Op. 36 (1895) Serenade, Op. 37 (1896) 3 ungarske studier, Op. 38 (1896) Fantasistykker, Op. 39 (1896) In the Blue Mountain, fairytale suite, 6 pieces, Op. 44 (1897) Fantasistykker, Op. 45 (1897) Etudes de concert, Op. 47 (Copenhagen, 1901) 3 klaverstykker, Op. 53 (1900) Smaa fantasistykker, Op. 55 (1902) Etudes de concert, Op. 57 (Copenhagen, 1903) Concert-études, Op. 58 (Copenhagen, 1903) 6 klaverstykker, Op. 59 (1903) Prélude, Op.61, No. 1 (Copenhagen, 1904) Grand menuet, Op.61, No. 2 Lettere fantasistykker, Op. 63 (Copenhagen, 1904) Danse burlesque, Op.64, No. 1 (1905) Valse caprice, Op.64, No. 2 Barnlige Billeder [Children Pictures], 6 fantasias, Op. 66 (1905) 2 klaverstykker, Op. 68 (1907) 3 klaverstykker, Op. 69 (1907)