Terry Stapleton

Terrence Anthony Stapleton (10 July 1933 – 23 April 1991) was an Australian writer, playwright and actor, best known for writing and producing television drama series for Crawford Productions.

Early life Stapleton was born on 10 July 1933 in Victor Harbor, South Australia. when he entered acting professionally, appearing in Alan Seymour's play The One Day of the Year, which he would later adapt into the television sitcom The Last of the Australians. During the early 1960s, he often performed with the Adelaide Theatre, the Sheridan Theatre and the Art Studio Players, appearing in plays such as The Night of the Iguana (1964) and A Streetcar Named Desire (1965), winning Best Actor of the Year awards for his performances.

Stapleton began his writing career writing short stories, later becoming an Adelaide-based film and theatre critic for The Bulletin in the mid-1960s. In 1965, Stapleton auditioned to be an actor on the Crawford Productions television drama series Homicide. Dorothy Crawford, sister of Hector, knew that Stapleton's slim stature would make him ineligible to meet the height and weight requirements to become a police officer, so she suggested that Stapleton apply for a writing position on the series instead. Stapleton sent in a sample of his work and was hired as a fulltime writer on the series.

Police dramas In 1967, Stapleton created and served as showrunner of the espionage television series Hunter. Though originally unsuccessful owing to the outlandish "James Bond-type" concept, Stapleton reworked the series to incorporate the private life and relationships of the titular character, allowing the series to begin rating well.

In 1971, Stapleton and Ian Jones created the television drama series Matlock Police. This was followed by Ryan in 1973, created with American screenwriter Morton Fine.

Situation comedies In 1975, after obtaining permission from friend Alan Seymour to adapt his play The One Day of the Year for television, Stapleton pitched the concept for a situation comedy to Hector Crawford. Crawford liked the idea and funded Stapleton's trip to the United States and England to observe television comedy, particularly that performed in front of live audiences, in those countries. Titled The Last of the Australians, Stapleton decided to explore the "generation gap" between a father and son, rather than their differing views on ANZAC Day as depicted in Seymour's play. Comparisons were drawn between Stapleton's series, the British sitcom Till Death Us Do Part and its American remake All in the Family. However, Stapleton claimed that "our characters are quite different, distinctly Australian, so their attitudes and concerns are completely different". Stapleton was sole writer of the series, owing to a shortage of experienced writers at Crawford Productions. The series was renewed for a third series, however, Crawford decided to end the series, owing to the strain on Stapleton to produce an episode each week.

Following the end of that series, Stapleton attempted to write two further sitcoms. A ninety-minute pilot titled Me & Mr Thorne was broadcast in 1977, but was ultimately not picked up by Australian networks. Stapleton believed this was because the networks considered it "too experimental". His second play, The Last Dance, was performed in January 1986 at the same theatre. Stapleton was writing a musical titled Favourite Son with composer David Reeves. 1983 AWGIE Best Drama Serial Script Carson's Law Personal life Stapleton married Queensland-born actress Anne Morgan in 1966. They had two daughters.