Suzanne Adams

Suzanne Adams (28 November 1872 – 5 February 1953) was an American lyric coloratura soprano. Known for her agile and pure voice, Adams first became well known in France before establishing herself as one of the Metropolitan Opera's leading sopranos at the beginning of the twentieth century.

Biography Adams was born in Cambridge, Massachusetts on November 28, 1872, the daughter of John Gedney Adams.

She studied in Manhattan, New York City with Jacques Bouhy and then in Paris with Mathilde Marchesi. She made her début at the Paris Opéra in 1894 or 1895 in Charles Gounod's Roméo et Juliette. She studied the roles of Juliette and Marguerite from Faust with Gounod himself, who greatly admired her fine technique, brilliant tone, and vocal flexibility.

Adams remained at the Paris Opera for three years and then went to Nice. While in France, she sang numerous roles by Gounod and Meyerbeer, as well as the Queen of the Night in Mozart's The Magic Flute and the title role in Gluck's Orfeo ed Euridice. During the summer of 1898, she appeared at Covent Garden in London as Hero in the world premiere of C. V. Stanford's Much Ado About Nothing. In the autumn of 1898, Adams joined the Metropolitan Opera in New York City, where she sang numerous roles until 1903. Her roles at the Met included Juliette, Marguerite, Marguerite de Valois in Les Huguenots, Micaela in Carmen, Cherubino in Le nozze di Figaro, Donna Elvira in Don Giovanni, Philine in Mignon, Berthe in Le prophète, the Forest Bird in Siegfried, Nedda in Pagliacci, Gilda in Rigoletto, Infanta in Le Cid, Inès in L'Africaine, and Mimì in La bohème, among others.

In October, 1898, Adams married Leo Stern, a British cellist, who died in 1904, so she lived abroad most of the time.

She sang at Covent Garden, London, England, in 1898 and 1901,

Adams may have continued teaching until her death in London on 5 February 1953.

Recordings Adams recorded five cylinder records for Gianni Bettini in 1898. In 1902 she made five disc recordings in London for the Gramophone and Typewriter Company's new Red label series, four of which were issued in the United States by the Victor Talking Machine Company on their Red Seal label the following year. In 1903, Adams made seven more records in the United States for Columbia Records' Grand Opera Series. She also appears on a few of the Mapleson Cylinders recorded live on stage at the Metropolitan Opera, including "A ce mot tout s'anime" from Les Huguenots (this record has been erroneously attributed to Nellie Melba).