Shloyme Prizament

Shloyme Prizament (1889–1973) (also Shlomo or Szlojme Prizament or Szlomo Prizment), Jewish composer, actor in the Yiddish theater, and badkhn, son of Moyshe Prizament (a famous badkhn known as Moyshe Hibiner / Hibnever).

Early years

Born in Uhniv, Galicia, Austria-Hungary, Prizament moved to Lemberg (Lviv) as a child. When he was 16 his father died and he then supported the other 12 children in the family by becoming a badkhn himself, using his father's writings (scripts). Prizament wrote for Gershom Bader's Der yidisher folks-kalendar and began writing songs and instrumental music for Yiddish theatre.

He is known as a transitional figure since he also wrote for the last of the broder-zingers - Salcia Weinberg, Jule Glantz, Helena Geshpas and Pepi Litman (1874–1930), characterized as "a Jewish chanteuse in Hasidic trousers", for whom he wrote Lomir beyde davenen fun eyn makhzer (Let’s Both Pray from One Prayer Book). He later collected and arranged songs from other surviving Broder Singers. Bin ikh mir a klezmerl (I’m a Little Musician) was also written in that genre.

Later career

Prizament also acted, directed, and wrote plays and song, both music and lyrics. He began directing for Ber Hart's traveling troupe. Two of his famous operettas are (The Flower Queen) and (The Gypsy Girl).

He wrote music for operettas, his first being Joseph Lateiner's Khosn-Kale (Groom and Bride), a show which played in Kraków with Yidl Gutman and in New York with couplets by Sigmund Mogulesko and music by Louis Friedsell. His first acting role was in Jacob Mikhailovich Gordin's Yiddish King Lear and he stuck with acting, spending less time directing orchestras. In 1925 he starred in Warsaw's Kaminski Theater for a season, at the same time writing music and lyrics for the operetta Di Galitsianer Mume and for Moyshe Rikhter's Di tsvey shvigers.

He worked at the Sambatiyon revi-teater in 1927, writing music for several shows. In 1928 he worked in the Azazel-Sambatiyon ensemble as music director, and then worked in Romania, where he played in theaters and kleynkunst productions, then going back to Vienna and then Poland. He was Yitskhok Nozhik's closest collaborator. Some of the songs he wrote for these revues are often now presumed to be folk songs, e.g. (Rent Money), "(The Rabbi calls us to be merry)" and "(The Wheel Turns)".

He wrote a piece called In Hitler-Land in 1933; it played in Warsaw's Kaminski Theater. In 1938 he played in Lemberg's summer theater's production of Shray, Israel (Cry out, Israel) and worked with VYKT for which he wrote a musical score to Abraham Goldfaden's Shulamis in Zygmunt Turkow's production, and to Israel Ashendorf's Broder Zinger. Some of his other works were Lemberg far der milkhome (Lemberg before the war), A moyd fun provints (A Girl from the Sticks) and many works translated from other languages.

Prizament also wrote a few hundred songs and couplets. He survived the second World War by escaping to the Soviet Union. After 1949 he lived in Buenos Aires, Argentina.