Peter Vronsky

Peter Vronsky is a Canadian author, filmmaker, and investigative historian. He holds a PhD in criminal justice history and espionage in international relations from the University of Toronto. He is the author of the bestseller true crime histories Serial Killers: The Method and Madness of Monsters, Female Serial Killers: How and Why Women Become Monsters and Sons of Cain: A History of Serial Killers From the Stone Age to the Present (2018), a New York Times Editors' Choice, and most recently American Serial Killers: The Epidemic Years 1950–2000 (2021), a history exploring the epidemic surge of serial killers in the second half of the 20th century. He is the director of several feature films, including Bad Company (1980) and Mondo Moscow (1992). Vronsky is the creator of a body of formal video and electronic artworks and new media. He has also worked professionally in the motion picture and television industry as a producer and cinematographer in the field of documentary production and news broadcasting with CNN, CTV, CBC, RAI and other global television networks in North America and overseas. Vronsky's 2011 book, Ridgeway: The American Fenian Invasion and the 1866 Battle That Made Canada, is the definitive history of Canada's first modern battle – the Battle of Ridgeway fought against Irish American Fenian insurgents who invaded across the border from the United States on the eve of Canadian Confederation shortly after the American Civil War. He currently lectures at Toronto Metropolitan University's History Department in the history of international relations, terrorism, espionage, American Civil War, and the Third Reich. He consults as an investigative criminal historian to a number of law enforcement cold case homicide units including the NYPD, New York State Police, and Bergen County Prosecutor's Office New Jersey.

1970s Peter Vronsky was a writer and film reviewer for Canada's national film magazine Cinema Canada and University of Toronto's The Varsity. He was a member of Toronto Filmmakers Coop and University of Toronto Film Board (Hart House). He studied with Canadian film directors Don Shebib, Clarke Mackey, and Peter Pearson at the Toronto Filmmakers Coop. Vronsky dropped out of the University of Toronto at the end of his second year to pursue filmmaking full-time. He wrote and directed two thirty-minute short drama films starring Paul Young from the Cardboard Brains: American Nights (1976) and The Sheep-Eaters (1977). He received several Canada Council and Ontario Arts Council Grants and directed and produced a thirty-minute music documentary special on punk rock for CBC television Crash'n'Burn (Dada's Boys) (1977) with the Viletones, Teenage Head, Dishes, The Ramones and The Deadboys, filmed at CBGB in New York and the New Yorker Theater and Crash'n'Burn in Toronto;

1990s Vronsky was the writer-producer-director of Mondo Moscow, a feature-length documentary on incipient Stalinism and underground culture in the USSR, 1990. In 1991, Vronsky investigated Lee Harvey Oswald's activities in the USSR in 1959–1962 and was the first Westerner ever to interview Oswald's friends, lovers and acquaintances in Russia. Vronsky was the cameraman-line producer on The Hunt for Red Mercury, an investigative one-hour documentary (Discovery Channel – CTV) on nuclear weapons material smuggling in Chechnya, 1992. He was the writer-director of The Uncanadians, a NFB feature documentary 1994–1995 (but withdrew his name from the director's credit in a dispute with the National Film Board over the film's controversial contents). Vronsky was the Head of English Language Production, Panavideo, Venice Italy – service producer for Italy's national television network, RAI, 1997–1999.

2000s Vronsky was the Queens Park/Toronto Bureau Chief at E-Press, Canada's first online news streaming service, 2000 and the Broadband Content Specialist, Canada-Invest.com, financial news streaming service, 2000–2001. He was the Director of Photography on the feature-length music documentaries, Life Could Be A Dream (Bravo Television, 2002) and I'll Fly Away Home (Bravo Television, 2004). He authored two crime history books, Serial Killers The Method and Madness of Monsters (Berkley-Penguin Books, 2004) and Female Serial Killers: How and Why Women Become Monsters (Berkley-Penguin Books, 2007). Vronsky returned to the University of Toronto as a full-time student from 2003 to 2010, completing the following degrees: University of Toronto, Trinity College, Honours B.A., 2003. University of Toronto, Graduate School, M.A. (History) 2004. University of Toronto, Graduate School, Ph.D. (History), 2010.

In 2015, Leah McLaren, writing in The Globe and Mail, reported on the strange disappearance in Cambodia of Dave Walker, a friend of Vronsky's.

Vronsky currently lectures at Toronto Metropolitan University's History Department in international relations, American Civil War, Third Reich, espionage and the history of terrorism. In 2017, he was chosen as the Writer-In-Residence at the Toronto Public Library. He recently appeared in Joe Berlinger's new Netflix show, Crime Scene (Season 2): The Times Square Killer (2021) about the 1979–80 torso murders in New York committed by serial killer Richard Cottingham who Vronsky is in the midst of interviewing since 2018.