Olive Rush

Olive Rush (June 10, 1873 near Fairmount, Indiana – August 20, 1966 in Santa Fe, New Mexico) was a painter, illustrator, muralist, and an important pioneer in Native American art education. Her paintings are held in a number of private collections and museums, including: the Brooklyn Museum of New York City, the Haan Mansion Museum of Indiana Art, the Indianapolis Museum of Art, Indiana and the Smithsonian American Art Museum.

Early life Rush was the fourth of Nixon and Louisa Rush's six children. The Rush family lived on a farm in Grant County, Indiana where they were members of the local Society of Friends.

Education Olive Rush studied at Earlham College, the art school associated with the Corcoran Gallery of Art and at the Art Students League before becoming an illustrator in New York. She was well known for her portraits and paintings of children and women, many of which were featured in magazines such as Woman's Home Companion and St. Nicholas. In 1904 she moved to Wilmington, Delaware, to study with Howard Pyle, and she stayed until 1910. Upon Pyle's death in 1911, while on a trip to Italy, Rush was living in his studio along with Blanche Grant and Ethel Brown Leach. She spent the next year in Europe studying British and French painters, and finished her art education at the Boston Museum School in 1912. In 1913 Rush returned to Europe with her friend, the watercolorist Alice Schille, visiting Belgium and France. In 1947, Earlham College gave her an honorary Doctorate in Fine Arts.

Her former studio on Canyon Road in Santa Fe is now the Olive Rush Studio & Art Center, owned and operated as an artist's house museum. See https://www.oliverush.org for visiting days and public events.

Rush considered her major influences to be early Chinese art, Japanese art, and El Greco. She was also inspired by the colorful style of Hopi and other Puebloan artists of the 1930s and 1940s.

Murals Murals were produced from 1934 to 1943 in the United States through the Section of Painting and Sculpture, later called the Section of Fine Arts, of the Treasury Department. The murals were intended to boost the morale of the American people from the effects of the Depression by depicting uplifting subjects. Almost 850 artists were commissioned to paint 1371 murals, most of which were installed in post offices, libraries, and other public buildings. 162 of the artists were women. The murals were funded as a part of the cost of the construction with 1% of the cost set aside for artistic enhancements. In Pawhuska, Oklahoma she completed an oil on canvas mural, Osage Treaties for the post office. In Florence, Colorado she painted Antelope for the post office. Lastly, she completed two frescos, Cotton Industry and Farming and Natural History of Plant and Animal Life for the Foster Hall Biology Building at New Mexico State University. Also, her mural for the Maisel's Trading Post on Central in Albuquerque is still in place. She taught mural painting to students at the Santa Fe Indian School, Santa Fe (Olive Rush Studio & Art Center)"Broken Pitcher" (oil); "Study for Moon Like a Flower in Heaven's High Bower" (watercolor); "Controversy in Heights (watercolor); "After the War - Hunger" and 24 other paintings

During Rush's lifetime, her paintings were acquired by numerous museums and many private collectors. One of her most famous paintings, Girl on Turquoise Horse, was purchased by Lou Hoover, wife of President Herbert Hoover. Earlham College has a gallery of her work. Some of her lesser known works are held by her closest living relatives, the Rush and Beasley family, in various parts of Indiana, the Carolinas and the West Coast, as well as Albuquerque and Santa Fe, New Mexico.