Nikolai Myaskovsky

Nikolai Yakovlevich Myaskovsky (; ; 20 April 18818 August 1950) was a Russian and Soviet composer. He is sometimes referred to as the "Father of the Soviet Symphony". Myaskovsky was awarded the Stalin Prize five times.

Biography

Early years Myaskovsky was born in Nowogieorgiewsk, near Warsaw, Congress Poland, Russian Empire, the son of an engineer officer in the Russian army. After the death of his mother the family was brought up by his father's sister, Yelikonida Konstantinovna Myaskovskaya, who had been a singer at the Saint Petersburg Opera. The family moved to Saint Petersburg in his teens.

Though he learned piano and violin, he was discouraged from pursuing a musical career, and entered the military. However, a performance of Tchaikovsky's Pathétique Symphony conducted by Arthur Nikisch in 1896 inspired him to become a composer. In 1902 he completed his training as an engineer, like his father. As a young subaltern with a Sappers Battalion in Moscow, he took some private lessons with Reinhold Glière and when he was posted to Saint Petersburg he studied with Ivan Krizhanovsky as preparation for entry into the Saint Petersburg Conservatory, where he enrolled in 1906 and became a student of Anatoly Lyadov and Nikolai Rimsky-Korsakov.

A late starter, Myaskovsky was the oldest student in his class but soon became firm friends with the youngest, Sergei Prokofiev, and they remained friends throughout the older man's life. At the Conservatory, they shared a dislike of their professor Anatoly Lyadov, which, since Lyadov disliked the music of Edvard Grieg, led to Myaskovsky's choice of a theme by Grieg for the variations with which he closed his String Quartet No. 3.

Early works Prokofiev and Myaskovsky worked together at the conservatory on at least one work, a lost symphony, parts of which were later scavenged to provide material for the slow movement of Prokofiev's Piano Sonata No. 4. They both later produced works using materials from this period—in Prokofiev's case the Third and Fourth piano sonatas; in Myaskovsky's other works, such as his Tenth String Quartet and what are now the Fifth and Sixth Piano Sonatas, all revisions of works he wrote at this time.

Early influences on Myaskovsky's emerging personal style were Tchaikovsky, strongly echoed in the first of his surviving symphonies (in C minor, Op. 3, 1908/1921), which was his Conservatory graduation piece, and Alexander Scriabin, whose influence comes more to the fore in Myaskovsky's First Piano Sonata in D minor, Op. 6 (1907–10), described by Glenn Gould as "perhaps one of the most remarkable pieces of its time", and his Symphony No. 3 in A minor, Op. 15 of 1914, a turbulent and lugubrious work in two large movements.

Myaskovsky graduated in 1911 and afterwards taught in Saint Petersburg, where he also developed a supplementary career as a penetrating musical critic, writing for the Moscow publication, "Muzyka." He was one of the most intelligent and supportive advocates in Russia for the music of Igor Stravinsky, though the story that Stravinsky dedicated The Rite of Spring to Myaskovsky is untrue.

Called up during World War I, he was wounded and suffered shell-shock on the Austrian front, then worked on the naval fortifications at Tallinn. During this period he produced two diametrically opposed works, his Symphony No. 4 (Op. 17, in E minor) and his Symphony No. 5 (Op. 18, in D major). The next few years saw the violent death of his father, an ex-Tsarist general who was murdered by Red Army soldiers while waiting for a train in the winter of 1918–19, and the death of his aunt, to whom he was closely attached, in the winter of 1919–20. His brother-in-law, the husband of his sister Valentina Yakovlevna, had committed suicide before the War because of financial troubles. Myaskovsky himself served in the Red Army from 1917 to 1921; in the latter year he was appointed to the teaching staff of the Moscow Conservatory and membership of the Composers' Union. Thereafter he lived in Moscow, sharing an apartment with his widowed sister Valentina and her daughter. (He also had a married sister, Vera.) but he would eventually write a total of 27 symphonies (plus three sinfoniettas, two concertos, and works in other orchestral genres), 13 string quartets, 9 piano sonatas as well as many miniatures and vocal works. Through his devotion to these forms, and the fact that he always maintained a high standard of craftsmanship, he was sometimes referred to as 'the musical conscience of Moscow'. His continuing commitment to musical modernism was shown by the fact that along with Alexander Mosolov, Gavriil Popov and Nikolai Roslavets, Myaskovsky was one of the leaders of the Association for Contemporary Music. While he remained in close contact with Prokofiev during the latter's years of exile from the USSR, he never followed him there.

Myaskovsky's reaction to the events of 1917–21 inspired his Symphony No. 6 (1921–1923, rev. 1947—this is the version that is almost always played or recorded) his only choral symphony and the longest of his 27 symphonies, sets a brief poem (in Russian though the score allows Latin alternatively—see the American Symphony Orchestra page below on the origins of the poem—the soul looking at the body it has abandoned.) The finale contains quite a few quotes—the Dies Irae theme, as well as French revolutionary tunes.

The years 1921–1933, the first years of his teaching at the Moscow Conservatory, were the years in which he experimented most, producing works such as the Tenth and Thirteenth symphonies, the fourth piano sonata and his first string quartet. Perhaps the best example of this experimental phase is the Thirteenth symphony, which was the only one of his works to be premiered in the United States.

In the 1920s and 1930s Myaskovsky's symphonies were quite frequently played in Western Europe and the USA. His works were issued by Universal Edition, one of Europe's most prestigious publishers. In 1935, a survey made by CBS of its radio audience asking the question "Who, in your opinion, of contemporary composers will remain among the world's great in 100 years?" placed Myaskovsky in the top ten along with Prokofiev, Rachmaninoff, Shostakovich, Richard Strauss, Stravinsky, Sibelius, Ravel, de Falla and Fritz Kreisler. He was rehabilitated only after his death from cancer in 1950, leaving an output of eighty-seven published opus numbers spanning some forty years, and students with recollections.

Legacy

Character and influence Myaskovsky was long recognized as an individualist, even by the Soviet establishment. In the 1920s the critic Boris Asafyev commented that he was "not the kind of composer the Revolution would like; he reflects life not through the feelings and spirit of the masses, but through the prism of his personal feelings. He is a sincere and sensible artist, far from 'life's enemy', as he has been portrayed occasionally. He speaks not only for himself, but for many others". Shostakovich, who visited Myaskovsky on his deathbed, described him afterwards to the musicologist Marina Sabinina as "the most noble, the most modest of men". Mstislav Rostropovich, for whom Myaskovsky wrote his Second Cello Sonata late in life, described him as "a humorous man, a sort of real Russian intellectual, who in some ways resembled Turgenev". —while some composers, for instance the little-heard Evgeny Golubev, kept something of his teacher's characteristics well into their later music. The latter's sixth piano sonata is dedicated to Myaskovsky's memory and the early "Symphony No. 0" of Golubev's pupil Alfred Schnittke, released on CD in 2007, has striking reminiscences of Myaskovsky's symphonic style and procedures.

Recordings Myaskovsky has not been as popular on recordings as have Shostakovich and Prokofiev. Nonetheless, most of his works have been recorded, many of them more than once, including the Cello Concerto, the Violin Concerto, many of the Symphonies, and much of his chamber and solo music.

Between 1991 and 1993 the conductor Yevgeny Svetlanov realized a massive project to record Myaskovsky's entire symphonic output and most of his other orchestral works on 16 CDs, with the Symphony Orchestra of the USSR and the State Symphony Orchestra of the Russian Federation. In the chaotic conditions prevailing at the breakup of the USSR, Svetlanov is rumoured to have had to pay the orchestral musicians himself in order to undertake the sessions. The recordings began to be issued in the West by Olympia Records in 2001, but ceased after volume 10; the remaining volumes were issued by Alto Records starting in the first half of 2008. To complicate matters, in July 2008, Warner Music France issued the entire 16-CD set, boxed, as volume 35 of their 'Édition officielle Evgeny Svetlanov'.

In a testimony printed in French and English in the accompanying booklet, Svetlanov describes Myaskovsky as "the founder of Soviet symphonism, the creator of the Soviet school of composition, the composer whose work has become the bridge between Russian classics and Soviet music ... Myaskovsky entered the history of music as a great toiler like Haydn, Mozart and Schubert. ... He invented his own style, his own intonations and manner while enriching and developing the glorious tradition of Russian music". Svetlanov also likens the current neglect of Myaskovsky's symphonies to the neglect formerly suffered by the symphonies of Gustav Mahler and Anton Bruckner.

Advocates One of Myaskovsky's strongest early advocates was the conductor Konstantin Saradzhev. He conducted the premieres of Myaskovsky's 8th, 9th and 11th The 10th Symphony was also dedicated to Saradzhev. In 1934 Myaskovsky wrote a Preludium and Fughetta on the name Saradzhev (for orchestra, Op. 31H; he also arranged it for piano 4-hands, Op. 31J).

In the 1930s, Myaskovsky was also one of two Russian composers championed by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The other was Reinhold Glière, whom he met in 1940 and commissioned to write his "Feast in Fergana", Op. 75, a large-scale orchestral fantasia.

Stock met Myaskovsky in March 1938 at the invitation of the Composers Union. He commissioned Myaskovsky's 21st Symphony (Symphony-Fantasy in F-sharp minor) for the Chicago Symphony's Fiftieth Anniversary. The first performance was in Moscow on 6 November 1940 (conducted by Aleksandr Gauk); Stock conducted the Chicago premiere on 26 December 1940.

Honours and awards

1916 – Glinka prize (shared, 350 rubles) for Piano Sonata No. 2 Stalin Prizes: 1941 – first class for Symphony No. 21 1946 – first class for String Quartet No. 9 1946 – first class for Concerto for Cello and Orchestra 1950 – second class for Sonata No. 2 for cello and piano 1951 (posthumous) – first class for Symphony No. 27 and String Quartet No. 13. People's Artist of the USSR (1946) Order of Lenin

List of works List of compositions by Nikolai Myaskovsky