Nestor Cambier

Nestor Cambier (1879–1957) was a Belgian artist and draftsman whose portraits were compared favourably with those of John Singer Sargent but who now is largely forgotten. He also painted landscapes, city and interior views, still-lives, murals and stained glass, and also produced numerous pencil and chalk drawings.

Early life and training Cambier was born in Couillet (now part of Charleroi) in Belgium. He studied at the college of Ixelles, Brussels, before entering the Académie Royale des Beaux-Arts in Brussels, where he studied portraiture under the masters Joseph Stallaert and Gustave Vanaise until 1900. At age 21 he had already exhibited at the Brussels Salon, with a portrait of a young girl and a landscape.

Professional life In 1903, Cambier exhibited at the Triennial Salon of Beaux Arts in Brussels with pictures of a Brabançon innkeeper, a colourful Bazaar, a large tableau of the Cid and the Leper, and a study in pastels of Salome. , Newark, New Jersey, while it was under construction. (Recent investigation shows that delays in construction resulted in the 214 stained glass windows not being completed until 1950, by when they had been redesigned by Franz Zettler. )

Cambier returned to Belgium in 1909, where he painted further portraits and extended his painting to landscapes. In 1914 he held an exhibition of his works at Blankenberge, Belgium, where he was almost trapped when Germany invaded Belgium at the start of the First World War, and which resulted in the loss of many of his canvasses.

Perhaps the largest collection of Cambier's paintings (25, plus numerous photographs and memorabilia) are held by The Barber Institute of Fine Arts, founded by Dame Martha Constance Hattie Barber (1869–1933) at Birmingham University, who married the solicitor and property developer, William Henry Barber, a highly successful businessman who made his fortune in the expanding suburbs of Birmingham. By the mid 1930s he and Lady Barber were able to retire to Culham Court, an 18th-century estate in Oxfordshire. Between 1914 and 1930, Cambier was a frequent visitor and resident there, where he painted landscapes of the estate and painted eighteen portraits commissioned by Lady Barber as presents for her husband. Lord Barber died in 1927, and Lady Barber founded the institute in 1932 to which all the paintings were transferred. Cambier's other paintings appear to be dispersed in private hands.

Honours 1924 : Knight of the Order of the Crown.

Gallery

Catalogue

Dated works Source: Paintings held by the Barber Institute of Fine Arts marked *

Undated pictures Source: unless otherwise indicated Le combat de Kato. 32" x 41.2" Oil/CanvasIntérieur 12.2" x 11" CanvasIntérieur12.2" x 11"CanvasUntitled 25.6" x 21.7" PaintingMaternité 18.90" x 12.20" PastelL'enfant à l'orange 21.06" x 10.24" PastelSalon of the Belgian Embassy in London 17.3" x 23.6" PastelL'enfant á l'orange 21.3" x 10.2" PastelPark View 5.5" x 8.3 PastelL'église de Dave sur Meuse 13" x 10.2" Drawing"Forést" (paysage) 5.3" x 7.3"DrawingSwans gliding on the water alongside the Saint-Jean Hôpital at Bruges.(Owned by Mme. Ledieux in Paris?}Grange de l'Abbaye Ter Doest a Lissewege13.6" X 15.6"CharcoalL'Eglise a Landelies (Charleroi)15.4" x 13.8"CrayonSans Titre (Femme aux Chaussures Roses)16.3" x 9.6"WashSans Titre (Paysage)13.8" x 15"PencilSans Titre (Interieur)11" x 13.2")PencilVechmael (Limbourg)15.7" x 13.8"CrayonLa salon de la Comtesse de Bousies à Bruxelles 23" x 29"Vue de la Tamise à Londres The choir of l'Eglise Sta-Croix at IxellesSilene drunk held by a faun and a bacchante Royal Museums of Fine Arts of Belgium, Illustrations of volumes by R. Bazin, Comte Carton de Wiart (Mes Vacances av Congo), Charcot.

Original drawing on the fly leaf of a catalogue. Type Brugeois, portrait sketch in colour pencil ca. 9 x 7 cm.

Vivid portrait sketch made by the artist while visiting the Bruges Salon of 1913–14, made on the fly-leave of the Salon Catalogue: Cercle Artistique Brugeois, XXXVIe Salon, in-8°, 21.5 x 11 cm, stapled, original stiff wrapper. Nestor Cambier was represented by 5 paintings. Of these 4 were marked in red by him with the remark that they were stolen by the Germans at Blankenberg.

Undated portraits Source: Baron Cartier de Marchienne, Belgian Ambassador in LondonJoe Chamberlain, in the gallery of the Union Committee RoomSir Douglas Dawson, secretary of the Order of the GarterMrs Edward Tchurlow, shown at the Belgian Art Exhibition at Brighton in 1930Countess Pierrefeu VilleneuveBaron of LambertThe Viscounts of PierrefeuSir William Holdsworth, painted at the University of OxfordThe Dean of the Law Faculty at Birmingham.