Mathias Goeritz

Werner Mathias Goeritz Brunner (4 April 1915, Danzig, German Empire – 4 August 1990, Mexico City) was a German and Mexican painter and sculptor. After spending much of the 1940s in North Africa and Spain, he and his wife, photographer Marianne Gast, immigrated to Mexico in 1949.

Early life and education Mathias Goeritz was born in Danzig, German Empire (now Gdańsk, Poland) in 1915 and spent his childhood in Berlin. He began studying philosophy and the history of art at Berlin's Friedrich-Wilhelm-Universität, now known as the Humboldt University of Berlin, in 1934. He received a doctorate in art history from this institution in 1940. During the course of his studies, Goeritz also trained as an artist at the Kunstgewerbe- und Handwerkerschule in Berlin-Charlottenburg (Applied arts and tradesmen's school), where he studied drawing with German artists Max Kaus and Hans Orlowski.

In June 1946, he had his first solo exhibition at the Librería-Galería Clan in Madrid under the pseudonym "Ma-Gó".

In 1949, through the intervention of Mexican architect Ignacio Díaz Morales, Goeritz was offered a job teaching art history to the students of the newly founded the school of architecture (now part of CUAAD, University of Guadalajara) in Guadalajara, Mexico. In 1953, he first presented his "Manifiesto de la Arquitectura Emocional" (Emotional Architecture Manifesto) at the pre-inauguration of the Museo Experimental El Eco in Mexico City, which he designed in 1952–53. During the 1950s, Goeritz also collaborated with Luis Barragán to make monumental abstract sculptures in reinforced concrete, including El animal del Pedregal (The Animal of the Pedregal, 1951) and the Torres de la Ciudad Satélite (Towers of Satellite City, 1957).

In 1989,Goeritz became an honorary member of the Mexican Academia de Artes.

Personal life and death In 1942, he married photographer Marianne Gast.

Mathias Goeritz died on August 4, 1990, in Mexico City at the age of 75.

Works and legacy

Goeritz exhibited widely in Mexico and beyond throughout his life, and had a significant influence on younger Mexican artists such as Helen Escobedo and Pedro Friedeberg. El animal del Pedregal (The Animal of Pedregal, 1951), sculpture in reinforced concrete, Jardines de Pedregal de San Ángel, Mexico City. Los amantes (The Lovers), sculpture at the Hotel Presidente, Acapulco. El bailarín (The Dancer). La mano divina (The Divine Hand) and La mano codiciosa (The Covetous Hand), reliefs in the Iglesia de San Lorenzo, Mexico City. El Eco Museo Experimental ("El Eco" Experimental Museum, 1953), Mexico City. El Pájaro Amarillo (The Yellow Bird, 1957) Colonia Jardines del Bosque, Guadalajara. Torres de la Ciudad Satélite (Towers of Satellite City, 1957) with Luis Barragán. Stained Glass windows for the cathedrals of Mexico City and Cuernavaca, the churches of Santiago Tlatelolco and Azcapotzalco, and the Maguén-David synagogue, Mexico City. Coordination of the sculptures of the Ruta de la Amistad (Route of Friendship), a major project of the Cultural Program of the 1968 Mexico City Olympics. Osa Mayor (Ursa Major, 1968), Palacio de los Deportes, Mexico City. Torres de Automex (Automex Towers, 1963–64), Carretera de Toluca. Pirámide de Mixcoac (Mixcoac Pyramid, 1971), Mexico City. Murals for the Arco Tower in Los Angeles, California, United States, 1970. Corona de Bambi and Espacio Escultórico (Sculpture Space, 1979), Ciudad Universitaria, UNAM, Mexico City. Laberinto de Jerusalén (Jerusalem Labyrinth), 1978-1980. Massive bronze entry door for the John Lautner-designed residence "Marbrisa", Acapulco, 1973