Mary Quant

Early life Quant was born in Woolwich, London, the daughter of Jack Quant and Mildred Jones. Her parents, who both came from Welsh mining families, had received scholarships to a grammar school and had been awarded first-class honours degrees at Cardiff University before moving to London to work as schoolteachers. She had a younger brother who became a dental officer in the Royal Air Force and with whom she was evacuated to Kent during the Second World War.

Fashion career

Quant was introduced to Archie McNair, who owned a photography business on the King's Road, through a mutual friend. He and Alexander Plunket worked with Quant to purchase Markham House, the shopfront that would be the location of her clothing boutique, Bazaar. The two men both contributed financially to the project, and Markham House was purchased for £8,000. During the renovation, Quant worked to locate wholesale suppliers, with a salary of £5 per week. Once the shop opened, Quant initially sold clothing sourced from wholesalers in her new boutique in the King's Road. The bolder pieces in her collection started garnering more attention from media like Harper's Bazaar, and an American manufacturer purchased some of her dress designs. Because of this attention and her personal love for these bolder styles, she decided to take designs into her own hands. Initially working solo, she was soon employing a handful of machinists; by 1966 she was working with a total of 18 manufacturers. A self-taught designer inspired by the culture-forward "Chelsea Set" of artists and socialites, Quant's designs were riskier than standard styles of the time.

Quant's impact did not just come from her unique designs; in her boutique she created a special environment, including music, drinks, and long hours that appealed to young adults. This environment was unique for the industry, as it differentiated from the stale department stores and inaccessible high-class designer store environments that had a hold of the fashion market. The other was Kiki Byrne, who opened her boutique on the King's Road in direct competition with Quant.

In 1966, Quant was named one of the "fashion revolutionaries" in New York by Women's Wear Daily, alongside Edie Sedgwick, Tiger Morse, Pierre Cardin, Paco Rabanne, Rudi Gernreich, André Courrèges, Emanuel Ungaro, Yves Saint Laurent and Baby Jane Holzer.

Quant and the miniskirt

The miniskirt, described as one of the defining fashions of the 1960s, is one of the garments most widely associated with Quant. While she is often cited as the inventor of the style, this claim has been challenged by others. Marit Allen, a contemporary fashion journalist and editor of the influential "Young Ideas" pages for UK Vogue, firmly stated that another British fashion designer, John Bates, rather than Quant or André Courrèges, was the original creator of the miniskirt. Others credit Courrèges with the invention of the style.

However, skirts had been getting shorter since the 1950s, and had reached the knee by the early sixties, but "Quant wanted them higher so they would be less restricting—they allowed women to run for a bus ... and were much, much sexier".

Quant later said: "It was the girls on the King's Road [during the "Swinging London" scene] who invented the miniskirt. I was making easy, youthful, simple clothes, in which you could move, in which you could run and jump and we would make them the length the customer wanted. I wore them very short and the customers would say, 'Shorter, shorter.'" and said of its wearers: "They are curiously feminine, but their femininity lies in their attitude rather than in their appearance ... She enjoys being noticed, but wittily. She is lively—positive—opinionated." The fashion model Twiggy popularised the miniskirt abroad.

In addition to the miniskirt, Quant is often credited with inventing the coloured and patterned tights that tended to accompany the garment, although their creation is also attributed to the Spanish couturier Cristóbal Balenciaga, who offered harlequin-patterned tights in 1962, or to John Bates or Jenny Elphinstone (nee Price) an art student at Guildford College of Art who also fashioned matching knickers for very short mini dresses.

Later career In the late 1960s, Quant offered miniskirts that were the forerunner of hotpants and became a British fashion icon. In 1967, she designed berets in twelve colours for British headwear company Kangol. Quant's berets, featuring her daisy logo, are in her collection at the Victoria and Albert Museum. There are more than 200 Mary Quant Colour shops in Japan. and had a son.

Honours and recognition quote="She was the godmother of the youth movement in fashion, the first to realise that how women dressed needed to change." — —Jenny Lister, curator of textiles and fashion at the V&A She arrived at Buckingham Palace to accept the award in a cream wool jersey minidress with blue facings. In 1990, she won the Hall of Fame Award of the British Fashion Council. She was appointed Dame Commander of the Order of the British Empire (DBE) in the 2015 New Year Honours for services to British fashion. She was appointed Member of the Order of the Companions of Honour (CH) in the 2023 New Year Honours for services to fashion.

Quant received an honorary doctorate from Heriot-Watt University in 2006. In 2009, the miniskirt designed by Quant was selected by the Royal Mail for their "British Design Classics" commemorative postage stamp issue. In 2012, she was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his lifetime.

Quant was a fellow of the Chartered Society of Designers, and winner of the Minerva Medal, the society's highest award.

In the 1966 Donovan song "Sunny South Kensington", Quant and Jean-Paul Belmondo's drug use/abuse is immortalised in the lyric "Jean-Paul Belmondo and-a Mary Quant got stoned, to say the least".

Quant is referenced in the musical number "This Is What We Want" in the 2014 stage musical Made in Dagenham, based on the 2010 film of the same name.