Marie Foulston

Marie Foulston (born 1982 or 1983) According to the group's website, Foulston, and co-founders Ricky Haggett, Richard Hogg, and v buckenham, were motivated by a desire to expose indie games to unfamiliar audiences and "to turn traditional perceptions of videogames on their head." The Wild Rumpus held parties in London, Toronto, and San Francisco, among other cities, intended to bring people together to play social and physical multiplayer video games in a nightclub environment. The group hosted more than ten events; she went on to join the museum in the following year as its first curator of video games. Foulston worked on the museum's Rapid Response collection, which contains newer objects of creative or cultural importance. She was lead curator of the museum's first major exhibition on video games, Videogames: Design/Play/Disrupt, held from September 2018 to February 2019, which examined eight video games from the 2000s onward, a time period when it began to get easier for more people to design, distribute, and play video games due to advances in technology.

In a review of Videogames in The Times, Tom Whipple wrote that the exhibition went "some way" in giving the "oft‑derided art" the attention it deserves, though he felt it lacked more popular video games. The Daily Telegraph art critic Mark Hudson gave the exhibition three out of five stars, and criticised the exhibition's lack of interactivity and focus on the "politically aware cutting-edge" of video games. Hudson felt that, despite the shortcomings, the exhibition was a "visually spectacular, mind-opening view" into an "alien world" for a "games sceptic" like himself.

Foulston left the V&A in 2019.

Independent curator Foulston was a panel speaker at the experimental games festival, Now Play This, held at Somerset House in 2019, and was named guest director of its 2020 iteration.

Foulston directed a documentary, The Grannies, created with content from Red Dead Redemption 2. In a format similar to a travel documentary, The Grannies follows a group of Melbourne artists exploring places in the game that the game developer did not intend players access. Originally commissioned for Now Play This 2020 in the format of a "multi-channel installation film", it was screened as a short film at the 2021 International Documentary Film Festival Amsterdam, the London Short Film Festival, and the Milan Machinima Festival, due to the COVID-19 pandemic. The ACMI in Melbourne, Australia, exhibited the documentary in its original format in 2022. Writing in Dezeen magazine, historian Holly Nielsen found Foulston's event to be a good example of people "repurposing existing software and systems to provide ways of interacting with each other that are more tailored to their own social needs."