Margaretta S. Hinchman

Margaretta Shoemaker Hinchman (1876–1955) was a prize-winning American artist, illustrator, photographer, and sculptor who came from a prominent Pennsylvania Quaker family. She bequeathed her collection of Southwest American art, including her own gouache-on-paper portraits of Navajo individuals, to the University of Pennsylvania Museum of Archaeology and Anthropology. The Pennsylvania Academy of the Fine Arts, the Woodmere Art Museum, and the Delaware Art Museum preserve some of her landscape paintings and illustrations. The Philadelphia Museum of Art preserves her bequest of works by other artists, including George Biddle, Angelo Pinto, Clare Leighton, and Charles Sheeler. Haverford College in Haverford, Pennsylvania preserves her letterbooks in the Quaker and Special Collections division of its library. Among the prizes that Hinchman won was the Mary Smith Prize, which she received twice, including in 1943 for her portrait of the singer Marian Anderson.

Education and career

Margaretta Schoemaker Hinchman was born in Philadelphia, Pennsylvania on July 12, 1876. Her mother was Lydia Swain Mitchell; her father was Charles Shoemaker Hinchman. Hinchman studied art in the late 1890s. Her teachers included the sculptor Charles Grafly, the illustrator Howard Pyle, the watercolorists Onorato Carlandi and Earl Horter, and later, in New York, the painter Kenyon Cox. It was by studying with Cox that she developed her skills as a muralist and figure painter.

Hinchman illustrated many books. These include Early Settlers of Nantucket: Their Associates and Descendants, which her mother, Lydia S. Hinchman wrote in 1901; My Busy Days: A Child’s Verse, by Edith B. Sturgis (1908); and The Beauties of Fairmount Park throughout the Year (1936). The Delaware Art Museum preserves two gouache-on-paper illustrations that she produced for an edition of Grimm’s Fairy Tales.

During World War I, Hinchman volunteered as an ambulance driver. The Sesqui-Centennial International Exposition was organized by the Women's Committee of 1926 to teach people about eighteenth-century American life. Hinchman painted people dressed in historically accurate attire on top of period prints. Her bequest included art and objects by Clyde Colville, Lorenzo Pino, Tse-Ye-Mu, Ma-Pe-Wi (also known as Velino Shije Herrera), Bist Rani and other unknown artists and makers.