Jozef Jan Tuerlinckx

Jozef Tuerlinckx (Mechelen, 2 November 1809 – Mechelen, 6 February 1873), also known as Joseph Tuerlinckx or Jozef Jan Tuerlinckx, was a Flemish sculptor and art educator. After training in his native Mechelen, he continued his studies in The Hague, Paris, and Rome. He was one of the leading sculptors in Mechelen, where he was employed on many public commissions. He is mainly known for his historical portraits and funeral monuments. He also was a teacher at the local academy.

Life Tuerlinckx was born in Mechelen as the son of Antoon (also known as Joannes Arnoldus Anthonius) and his father's second wife Maria Catharina Clavers. His father, originally from Aarschot, had established in Mechelen one of the leading workshops for the production of wood and brass wind instruments in the Southern Netherlands and the Netherlands. He was the half-brother of the composer Corneille Jean Joseph Tuerlinckx and the brother of the painter, lithographer, draughtsman and portraitist Louis Tuerlinckx. At the time of his birth, the Southern Netherlands were under French occupation.

Joseph Tuerlinckx started drawing classes at an early age. He then studied sculpture under the guidance of the Mechelen sculptor Pieter Jan Tambuyser (1796–1859). Between 1824 and 1827 he worked in the workshop of his teacher. Then he continued his training at the Academy of Antwerp under his fellow townsman Jan Frans van Geel, who had moved to Antwerp. In 1830 he went to The Hague to study under Louis Royer, another sculptor from Mechelen who had become a very successful artist in the Netherlands. After spending four years with Royer, he returned to Mechelen. In 1836 he left for Paris where he struck up a friendship with Jean Baptiste Joseph De Bay père, a sculptor originally from Mechelen who had become the conservator of Antique sculptures at the Louvre. He used his time in Paris to study the many sculptures in the city. From his residence in Paris dates a statue of Ecce Homo (Museum Hof van Busleyden, Mechelen).

After returning to Mechelen for some time, he left in 1840 for Italy to further his studies. For his bust of Pope Gregory XVI in white marble which he produced in Rome he was rewarded by the pope with a golden honorary metal. In Rome, he also completed a marble statue of the Virgin (Royal Museums of Fine Arts of Belgium, Brussels and started on the marble busts of Lucas Faydherbe and Godfrey of Bouillon. He completed both on his return to Mechelen. His marble statue of the Italian Renaissance painter Giotto as a 10-year-old boy (Museum Hof van Busleyden, Mechelen) was also produced during his Rome period and later received an honorable mention at the World Exhibition in Paris in 1855. In 1856 he was admitted as a member of the Royal Academy of Arts in Amsterdam. On 12 September 1857 he donated to the city council of Mechelen the collection of musical pieces written by his older brother. These had not been published and are only now being rediscovered and recorded.

He also donated to local museum a portrait of his father by Karel Pieter Verhulst and a portrait painted by Jean-François Portaels when they were both in Rome (both paintings are in the Museum Hof van Busleyden, Mechelen). He was awarded the Knight's Cross of the Order of Leopold on 8 September 1865.

He sculpted the funeral column of the publishing family P.J. Hanicq, the Stations of the Cross in the Church of St. John the Baptist in Mechelen and the oak communion bench and the seats of the choir stalls in the Church of our Lady in Temse.

In Mechelen, he created a statue of the botanist Rembert Dodoens, which is in the Botanical Gardens of Mechelen.