Jeffrey Konvitz

Film career

Konvitz worked as an agent for CMA, general counsel for the Jerry Lewis theatre chain, a production executive for MGM, and as a film producer. As a producer, it would have been usual for Konvitz to option properties and put a package together. Konvitz saw that anything good was being snapped up by studios before it was ever seen by him, so Konvitz set out to create original projects. Konvitz wrote the screenplay for Silent Night, Bloody Night (1972), which he also produced. Konvitz showed the treatment to the financier on a Friday and told them the screenplay was being typed. The financiers asked to see the script but Konvitz didn't have a script or a writer, so he wrote the script himself in three days.

Konvitz first pitched The Sentinel as a movie, but was turned down by several studios, so he decided to write it as a novel, staying up writing until 4 am each night while he practiced law in New York during the day. Simon & Schuster bought the rights to The Sentinel in September 1973, and within six months he received an offer of $200,000 for the paperback rights and $500,000 for the movie rights from Universal. A first-time author had never before been hired by a major studio to adapt and produce a film from the author's own novel before. The novel would go on to sell over 7 million copies.

Konvitz's sequel to The Sentinel, The Guardian, sold out entirely in 10 days. Its publisher, Bantam, went back to immediately print a million extra copies. Konvitz dedicated The Guardian to "Rufus," who he credited with editing Chapter 27. Rufus was Konvitz's 170-Pound Great Pyrenees who ate the problematic chapter, forcing Konvitz to successfully rewrite it.

Konvitz rose to become one of the top independent production executives in Hollywood in the 1980s and 90's, leading two Nasdaq-listed Entertainment companies: Kings Road Entertainment, and Communications and Entertainment Corp./Odyssey Entertainment Konvitz was at the forefront of a new wave of film financing in the 1980s. This effective new model, structured financing including gap financing, quickly spread through Hollywood and abroad, and remains a popular strategy for independent film production even today.

Works

Novels The Sentinel, 1974 The Guardian, 1979 (the sequel to The Sentinel) The Apocalypse, 1979 Monster: A Tale of Loch Ness, 1982

Screenplays Silent Night, Bloody Night, 1972 The Sentinel, 1977 Gorp, 1980

Producer Silent Night, Bloody Night, 1974 The Sentinel, 1977 Gorp, 1980 Cyborg 2, 1993 Bolt, 1994 Bloodsport 2, 1996 Spy Hard, 1996 2001: A Space Travesty, 2000 O Jerusalem, 2006 The Flock, 2007 Spinning Man, 2018 Under the Silver Lake, 2018 City of Lies, 2018 Berlin, I Love You, 2018

Legal career General Konvitz was admitted to the State Bar of California on October 27, 1983. He is, and has been, an active member in good standing since 1983.

Major Litigation In 1997, Konvitz was retained by Regent Entertainment as lead finance counsel and the lead litigation council in a dispute with Showtime over the financing of the motion picture Gods and Monsters. The dispute addressed whether or not Showtime could force Regent, under the terms of its domestic license agreement, to release the film directly to television as a Showtime premiere instead of the planned theatrical release. Konvitz and Regent prevailed and the picture was released theatrically. Gods and Monsters went on to garner dozens of awards including an Oscar, and became an LGBTQ+ film classic for its portrayal of openly gay film director James Whale.

On August 24, 1998, Konvitz as Plaintiff and co-counsel/pro-se, commenced a lawsuit in the United States District Court, California Central District in Los Angeles against Canadian investment bank, Midland Walwyn Capital, for fraud in a busted public merger. The jury found for Konvitz and judgement was entered against Midland and its successors-interest, Merrill Lynch Canada and Bank of America.

Commencing in 2002, Konvitz was retained as lead trial defense counsel representing The Ave Maria Foundation and Thomas Monaghan, the founder of Domino's Pizza, in a motion picture financing collapse wherein defendants Ave Maria and Monaghan were sued in the United States District Court, Central District in Los Angeles. The case was entitled Fulcrum Entertainment and Williams v. The Ave Maria Foundation et al. Defendants Ave Maria and Monaghan prevailed on all counts against it.

In 2009, Konvitz represented Regent Entertainment and Here Network, the preeminent LGBTQ+ streaming service, in a complicated German Tax shelter arbitration before IFTA.

In 2011, Konvitz filed a bank fraud lawsuit in Los Angeles Superior Court on behalf of Blue Rider Finance Inc., ("Blue Rider") a Konvitz-represented, transactional film finance company, against Harbor Bank and various individuals on allegations of bank fraud. Konvitz oversaw companion cases in Illinois and Maryland while securing a judgment against the defendants in this Los Angeles action.

In 2015 Konvitz filed a lawsuit in Los Angeles Superior Court on behalf of plaintiff Foreign Language Center Inc. et al. v. National Geographic, 20th Century Fox and David Hasselhoff et al. The case, which concerned a breach of contract and interference with contract for an ongoing film about the fall of the Berlin Wall, was settled in 2017 before trial.

Since at least 2017, Konvitz has represented Malek Media Group LLC (MMG) and Matthew Malek in a business dispute with AXQG Corp. and Anita Gou, among others. Malek is the principal of MMG, and Gou owns AXQG. The two companies had agreed to start a film production company, Foxtail Entertainment, LLC, but the relationship quickly soured. The parties arbitrated their dispute, AXQG won, and the Los Angeles Superior Court confirmed the arbitration award and entered judgement. The arbitration was a JAMS arbitration. GFI appealed the summary judgement against it to the Court of Appeal, Second Appellate Division. Blue Rider cross-appealed the dismissal. Konvitz was not only trial counsel, but also appellate counsel. The Court of Appeal affirmed the judgement for Blue Rider and overturned the dismissal of the cross complaint. The case continued, but just before trial, the court disqualified Konvitz as trial counsel as he was also Blue Rider's key witness. The Court's decision was based on California's attorney/witness rule. Blue Rider appealed. Konvitz wrote the appellate briefs as appellate counsel. The Court of Appeal overturned the trial court in a landmark published decision and reinserted Konvitz as trial counsel, Appellate Opinion: B316718. Upon remand, the case was settled.

Konvitz is currently Plaintiff's trial counsel on the ongoing Los Angeles Superior Court film finance litigation, among other cases, entitled Trinity Media Financing International Ltd, a film finance company, v. Every Breath LLC et al.