Ion Idriess

Ion Llewellyn Idriess (20 September 18896 June 1979) was a prolific and influential Australian author. He wrote more than 50 books over 43 years between 1927 and 1969 – an average of one book every 10 months, and twice published three books in one year (1932 and 1940). His first book was Madman's Island, published in 1927 at the age of 38, and his last was written at the age of 79. Called Challenge of the North, it told of Idriess's ideas for developing the north of Australia.

Two of his works, The Cattle King (1936) and Flynn of the Inland (1932) had more than forty reprintings. He saw action in Palestine, Sinai and Turkey, being wounded at Beersheba and Gallipoli – where he acted as spotter for noted sniper Billy Sing.

After returning to Australia and recuperating from his wounds, he travelled to remote Cape York, and worked with pearlers and missionaries in the Torres Strait islands and Papua New Guinea where he worked as a gold miner. Other ventures included buffalo shooting in the Northern Territory, and journeys to Central and Western Australia.

Career as a writer

In 1928 Idriess settled in Sydney where he wrote as a freelance writer. His writing style drew on his experiences as a soldier, prospector, and bushman. He wrote on a multitude of topics, including travel, recollection, biography, history, anthropology and his own ideas on possible future events. His books were generally non-fiction, but written in a narrative, story style. Most of his books were published by Angus & Robertson. Idriess wrote from real life experiences using knowledge he had personally gained by travelling extensively and working at a variety of occupations. "Idriess was no stylist, but his writing was immediate, colourful, well paced and, despite the speed at which it was written, always well structured."

Death and legacy Idriess died at a nursing home in Mona Vale in Sydney on 6 June 1979, at the age of 89.

His work slipped from favour after his death, but has experienced a renewal of interest. In 2017, Nicolas Rothwell said: "As so often in Australian letters, an initial fall into obscurity and the harsh judgments of the literary establishment serve as good indicators of a writer's pre-eminence".

His work was never adapted for the screen although several books were optioned by producers.