Giovanni Pintori

Giovanni Pintori (14 July 1912 – 15 November 1999) was an Italian graphic designer known mostly for his advertising work with Olivetti. He is known for his use of geometric shapes and minimalist style in his advertising posters, specifically his posters for the Lettera 22 and the Olivetti logo.

Early life and education Born July 14, 1912 in Tresnuraghes, Sardinia, he was the fifth child out of six born to a dairy worker father and homemaker mother. Until 1930, Pintori lived in Sardinia and found work as a typist starting in 1927. It was during his time as a typist that he frequented a gallery owned by photographer Piero Pirari. Pirari suggested Pintori apply for a scholarship to the Higher Institute for Artistic Industries (ISIA), which he began to attend in 1930 after receiving the scholarship. Pintori won the scholarship along with Salvatore Fancello and Costantino Nivola. During his time at ISIA, Pintori studied under Elio Palazzo, director of ISIA and professor of descriptive geometry. His other influential professors included Marcello Nizzoli, Giuseppe Pagano and Edoardo Persico.

In addition to designing Olivetti's advertisements and posters, Pintori was also responsible for designing the Olivetti calendars (from 1951 to 1969): every year he selected a collection of twelve paintings. The first calendar was dedicated to Henri Rousseau, and the last one focused on Nanban art. Pintori gained international acclaim after the exhibition "Olivetti: design in industry" held in the Museum of Modern Art in October–November 1952. The New York Times referred to this exhibition as "Industry's new approach to art". After leaving Olivetti, Pintori began working as a freelance designer out of Milan, opening his own studio. He continued to do freelance work for Olivetti, but also worked with numerous other companies in the Milan area. His work included designs for magazines and books (e.g., the magazine Successo, a book cover for Bigiaretti's I racconti (Stories), His clients included Ambrosetti, SIRTI, Ufficio Moderno, Gabbianelli among others. While his paintings have appeared in some of his design projects for advertising agencies throughout his career, he stopped using graphic design in his work, and incorporated many images of perpetual motion into his work, however many of Pintori's later paintings are little known since he kept his work rather private. Pintori had only one public showing of paintings, in 1981 in Milan.

He would remain in Milan until his death on November 15, 1999, at the age of 87.

Style Pintori's style is most commonly recognized for its use of color and geometric shapes, along with minimalistic style. Pintori developed his own vocabulary of signs: for example, a bird, flower, ship, letters and numbers. Many of his designs revolved around simplified objects rather than a direct reproduction of an object. This meant he was able to clearly represent products in his advertising with strong imagery and basic coloring.

As pointed out by M. Sironi, Giovanni Pintori "succeed in fostering the perception of lightness and transportability through images of pure suggestion – from the flight of a bird to a sailing ship composed of letters, numbers and punctuation marks – and subsequently suggesting swift ocean crossings, or the association of the typewriter with the lightness of a feather."

Pintori commented on his design approach: "I do not attempt to speak on behalf of the machines. Instead, I have tried to make them speak for themselves, through the graphic presentation of their elements, their operations and their use."

Literature Musina, Massimiliano: Giovanni Pintori. The Stark Tension Between Flair and Discretion. Fausto Lupetti Editore, Bologna 2014 (eBook in English) Musina, Massimiliano: Giovanni Pintori, la severa tensione tra riserbo ed estro. Fausto Lupetti Editore, Bologna 2014 (paperback in Italian) Sironi, Marta. Pintori. Moleskine, S.p.A. 2015 (paperback in English)