Eve Drewelowe

Eve Drewelowe (April 15, 1899 – October 22, 1988) was an American painter, especially renowned in her native Iowa and Colorado, but also widely exhibited nationally.

Her long career produced more than 1,000 works of art in oil, watercolor, pen and ink and other media in styles that included impressionism, social realism and abstraction. Drewelowe is regarded as a feminist; throughout her long marriage, she retained her maiden-name, and designed her home without a dining-room.

Early life and education Eve Drewelowe was born in New Hampton, Iowa on April 15, 1899 to George Drewelow and Mary Marguerita Martin. The eighth child of twelve, she grew up on a farm with a tomboyish spirit. Her father died when Eve was just 11 years old. She did not take art classes in her youth due to her farm duties, but she later came to appreciate this. She believed a formal artistic education would have hindered her development of a unique artistic style. She graduated from New Hampton High School in 1919. She attended the University of Iowa School of Art and Art History, receiving a bachelor's degree in graphic and plastic arts in 1923. Working closely with her father figure and mentor Carl Seashore, she encouraged the university to establish a graduate program in the arts. In 1924 she became the first student to earn a master's degree in studio arts from the university, and one of the first in the nation.

Throughout her undergraduate and graduate school educations, Drewelowe experimented with impressionism. Art professor Charles Atherton Cumming discouraged any influences on her work outside of classwork. She was educated with little emphasis on contemporary art. Regardless, she showed interest in Cubism and other forms of abstract art.

Career Despite warnings from Cumming that marriage could be fatal to her career, Eve married a fellow University of Iowa graduate and political scientist Jacob Van Ek in 1923. She taught part-time at the University of Colorado, Boulder in 1927–1928 and in the Department of Fine Arts in 1936–1937 for two summer sessions.

Early landscape work Drewelowe's father George Drewelow, a farmer and environmentalist, was a large influence on her work. This and her love of Western landscapes had a strong impact on the subject matter of work. Although some paintings feature figures and most others simply a landscape, all of the paintings from this period in her life are painted within the spectrum of social realism. Eve traveled with her husband Jacob to 23 countries in a span of 13 months. She filled seven sketchbooks with the inspirational sights she encountered. She produced many vivid landscape paintings based on her travels. She produced Telling Trails, a series of ink drawings documenting her trip. This is the first documented incidence of what would become characteristic for Eve in this time—“flowing, undulating lines and unusual perspectives.” She once said, “my waking thought from an embryo on was my need to be an artist.”

Drewelowe struggled with which surname to use for herself. She exhibited under the name Eve Drewelowe Van Ek until the early 1950s, when she resumed using her maiden name. Even after this point, it can be seen on some of her paintings that she painted Van Ek and then rubbed it out. However, she never wanted to be called Mrs. Van Ek or even Mrs. Drewelowe. In fact, her Daily Camera file in Boulder, Colorado contains a note from Drewelowe stating that “she intends to come back and haunt anyone who refers to her as Mrs. Van Ek in her obituary.”

Legacy Although Drewelowe is mainly renowned in Colorado and Iowa, she had solo exhibitions all over the country. Her work was shown at National Association of Women Artists exhibitions, the Art Institute of Chicago, the Denver Art Museum, the National Museum of Women in the Arts and numerous other esteemed institutions. Although women had been in the profession of art for 20–30 years at the beginning of Drewelowe's career, she still faced opposition and sexism. Critics believe that she could have been much more acclaimed had she not been a woman and had she not fallen ill at the peak of her career. Others believe that her “reincarnation” and transition to abstract paintings increased Drewelowe's popularity as an artist by keeping her relevant in an evolving artistic world.

Eve Drewelowe died in Boulder, Colorado, on October 22, 1988. She opted to donate her collection of personal papers and artworks to the University of Iowa School of Art and Art History. She made it known that she donated her body to aid scientific research. Undergraduate scholarships in art are named in her honor at both the University of Colorado and the University of Iowa. In 1979 she was named as a University of Iowa Distinguished Alumni. The Eve Drewelowe Gallery in the University of Iowa's Studio Arts Building is named for her. Her Daily Camera file can be found in the Carnegie Branch library of Boulder, Colorado.