Eugène Druet

1912 portrait of Druet by Pierre Bonnard (musée Maurice Denis, Saint-Germain-en-Laye). Eugène Druet (26 June 1867 – 21 January 1916) was a French photographer and art dealer.

Life He was born at 206 rue du Faubourg-Saint-Martin in Paris to Eugène Alphonse Druet and Alphonine Augustine Herbinière, then grocers. He initially rented and ran Yacht Club français, a small family café at place de l'Alma (now avenue du Président-Wilson) which he bought in 1893. Auguste Rodin's Dépôt des marbres studio at 182 rue de l'Université was not far from 'Druet's café, and the sculptor regularly came to the latter and introduced him to the photography of art.

After meeting Rodin in 1896, Druet produced several photographs of Rodin's sculptures and often acted as his official photographer. According to Hélène Pinet it is unclear why Rodin chose Druet but he may simply have been impressed by the amateur photographs Druet showed him. They worked together until 1900, when they little by little grew apart, notably because Druet was almost never paid for his voluntary work for Rodin. 1900 also saw Rodin's major retrospective at the pavillon de l'Alma during the Exposition universelle – it was almost entirely organised by Druet and included a section with 71 of his photographs.

Invitation to the exhibition of drawings by André Rouveyre at the galerie E. Druet, 1907. On Rodin's advice Druet abandoned his café to open an art gallery at 114 rue du Faubourg-Saint-Honoré in 1903, moving to 20 rue Royale in 1908. It soon became well-known and is mentioned in chapter three of Gertrude Stein's Autobiography of Alice B. Toklas : His rich clients included Russian Ivan Morozov. In 1908 he was made an Officier de l'Instruction publique.

He continued to photograph art, especially paintings. He thus sold paintings and his own photographs in his gallery. This idea to sell reproductions of paintings which he was exhibiting allowed him to make extra profits. he became recognised in art circles – for example, on 2 March 1913 he assisted in the major auction of works from the La peau de l'ours collection in rooms 7 and 8 of the hôtel Drouot, where he acted as an expert alongside Josse and Gaston Bernheim-Jeune.

Apollo Sauroktonos, reproduction in the magazine Touche à tout, photographed using the Druet process. Between 1903 and 1938 his gallery exhibited nearly 1300 artists, including Georges Manzana-Pissarro, Charles Camoin, Henri Manguin, Théo van Rysselberghe, Odilon Redon Albert Marquet, Léon Lehmann, Maurice Denis, Jacqueline Marval, Paul Cézanne, Fernand Labat, Jules Cavaillès, Jean Fernand-Trochain and Maurice Georges Poncelet.

He died in Paris of brain congestion in 1916. after his death his wife ran the gallery until 1938, when it closed.

Initially his production essentially consisted of photographs of Rodin's works from life. The art critic Claude Anet stated that they "not only reproduce all the delicacy of the model, the beauty of their plans and lines, but also [...] the power of evoking the works themselves".

In a 1908 issue of the Bulletin de la SFP a writer stated "Unlike a very large number of photographers, content with approximations without worrying about the accuracy of values, Monsieur Druet is always concerned with orthochromatism, thus achieving a fidelity of rendering vital in reproducing works of art".

Most of his photographs are preserved at the médiathèque de l'architecture et du patrimoine at fort de Saint-Cyr as the Fonds Druet-Vizzavona, which holds around 150,000 photographic plates and is made up of Druet's collection (30,000 plates) and that of the Vizzanova family, which were merged in 1939. 16 January 1994 to 6 March 1994, Licht und Schatten. Rodin-Photographien von Eugène Druet, Georg Kolbe Museum, Berlin. 14 November 2007 to 2 March 2008, Rodin sous l'œil des photographes, musée Rodin, Paris.

Selected exhibitions at the galerie Druet