Edgar Pangborn

Edgar Pangborn (February 25, 1909 – February 1, 1976)

Writing

Pangborn came from a writing family. His mother, Georgia Wood Pangborn, was a noted writer of ghost stories that appeared regularly in such popular mainstream periodicals as Scribner's Magazine, Harper's Monthly, Woman's Home Companion, and others. His father, Harry Levi Pangborn, worked as an editor of Webster's Dictionary. Words and literature were a part of the Pangborn household from the very beginning. As children, Edgar and his sister Mary carried on the tradition by writing an extensive series of fanciful, handwritten storybooks, often collaborating on these with each other and also their mother.

For the first 20 years of his writing career, which started when he was 21, Pangborn wrote what he referred to as "literary hackwork" for the pulp magazines. His serious work began in 1951, with the publication of his first science fiction story, "Angel's Egg", in Galaxy Science Fiction. The story of a race of tiny winged beings who come to Earth to help mankind, as told by a kindly biologist, it has been translated into six languages and reprinted more than twenty times. By 1954, Pangborn was well known and his second science fiction novel, A Mirror for Observers won the International Fantasy Award. This book is told from the point of view of a "Salvayan" (Martian) observer on Earth, who struggles with another Martian over the fate of a gifted young man. Galaxy reviewer Groff Conklin described Mirror as a "beautiful and moving book ... told in little details which make the tragedy all the more impressive."

From there Pangborn continued writing in science fiction and in other genres as well, including the historical novel Wilderness of Spring and the contemporary courtroom drama The Trial of Callista Blake. In 1954 Pangborn wrote "The Music Master of Babylon", a story set in the ruins of post-apocalypse New York and clearly related to Stephen Vincent Benét's 1937 "By the Waters of Babylon", already considered a classic.

Pangborn's best-known book, the Hugo-nominated Davy of 1964, is set in a much later part-time of that post-apocalyptic future. It is a picaresque bildungsroman set in a repressive theocratic society which developed out of the ruins of the destroyed old world. This post-apocalyptic world eventually became the backdrop for most of Pangborn's short fiction and his last novel, The Company of Glory (though not the Hugo-nominated "Longtooth", nor the 1971 Nebula finalist "Mount Charity").

Because of his educational background and early interests, Pangborn's works often deal with musical themes. Music plays a prominent role both in Davy and A Mirror For Observers, and the protagonist of "The Music Master of Babylon" is a pianist living alone in a ruined New York. Pangborn's works are also known for being humane and poignant in a way that nevertheless allows for some dark themes and raunchy humor.

In his introduction to Pangborn's posthumous story collection Still I Persist In Wondering, Spider Robinson observed: "[Pangborn] said again and again in his books that love is not a condition or an event or even a state of mind—that love is a country, which we are sometimes privileged to visit."

Music

Pangborn never discussed his early musical training in detail with anyone in the science fiction, fantasy, or mystery fields. It was known that he studied the piano and violin, but that was all. In 2003, however, a large stack of handwritten music manuscripts were discovered in the attic of the Bearsville house in which he died. These manuscripts included original string quartets, sonatas, nocturnes, and other orchestral forms written by Pangborn during his music conservatory days.