Doris Littrell

Doris Littrell (1929–2020) was a gallerist from central Oklahoma who promoted Native American art. Littrell exerted a major impact upon the careers of Mirac Creepingbear, Doc Tate Nevaquaya, Merlin Little Thunder, and Virginia Stroud, among others.

Early life and career Doris Littrell was born on April 28, 1929, on a farm near Apache, Oklahoma. Her parents were Clarence and Isa Mason. Her maternal grandmother, Rosa Cook (née Read) homesteaded a ranch on the former Kiowa-Comanche-Apache Indian reservation with William Cook. Littrell grew up around Southern Plains Indians culture. She attended powwows with her maternal uncle and admired the paintings he collected from his neighbor George Geoinety. At age 13, she left home and went to Apache to work for her aunt as a switchboard operator. She worked the night shift at the telephone company and attended school during the day. Her best friend was Comanche and she spent many weekends at her home, absorbing aspects of Comanche culture from her mother, one of the first Comanche nurses. The show became the largest Native art show in central Oklahoma prior to the launch of the Red Earth Native American Cultural Festival.

Also in 1969, Doris divorced Bob McCabe and married jewelry dealer, Mel Littrell. Their marriage did not last and eventually was annulled. Before and after, she continued to work with McCabe, marketing Oklahoma Native paintings throughout central Oklahoma, and in New Jersey, Washington, D.C., Colorado, Arizona, and California.

Mid-career Littrell opened Oklahoma Indian Art Gallery in 1979 after her retirement from Southwestern Bell. By that time, she had expanded her repertoire well beyond Southern Plains paintings. The gallery featured works by Dennis Belindo, Joan Brown, Joan Hill, Barthell Little Chief, Lee Joshua, Gary Montgomery, Bill Rabbit, Bert Seabourn, Brenda Kennedy Grummer, and numerous others. She also handled sculpture by Sherman and Allie Chaddlesone, Charley Pratt, Bill Haney, and Ted Creepingbear. Some of the state's most prominent cultural brokers frequented her business, including David and Molly Shi Boren, Drew Edmonson, and Oklahoma Arts Council Director Betty Price. Littrell was largely responsible for the brief commercial success enjoyed by Mirac Creepingbear prior to his premature death. She also played a decisive role in the careers of Merlin Little Thunder and Robert Taylor.

In 1990, Congress passed the Indian Arts and Crafts Act which made it a felony for a non-tribal member or designated artisan to identify as a Native American artist. The act was intended to protect the economic interests of Native individual artists, cooperatives, organizations and tribes from individuals or companies at home and abroad who falsely claimed to sell Indian products. In Oklahoma, it had additional consequences, particularly for artists who claim descent from but who are not enrolled in the Five Tribes—Cherokee, Chickasaw, Choctaw, Muscogee Creek and Seminole—whose membership is based exclusively upon the Dawes Rolls. Artists who could not prove descent from those rolls, despite their ancestry claims, possessed no political status as Indians and hence could not represent their art as Indian made. Although Littrell only handled a few unenrolled artists, she closed her gallery briefly in the aftermath of the bill and eventually reopened, like other Oklahoma galleries, with a disclaimer.

In 2004, Littrell was honored with the Governor’s Arts Award. Her gallery closed in 2010, after a series of downsizings, and she retired to Plainview, Texas.

Death Littrell died on August 8, 2020, in Plainview, Texas.