David Margolis

David Margolis (September 3, 1911 — October 8, 2003

From 1937 to 1941, Margolis spent nights and weekends in the various pavilions of the hospital painting. he later told a New York Times reporter that he was "painting murals that told the story of human progress."

By 1945, however, the atrium was abandoned, and the murals were lost. At various times, the atrium was used as a storeroom, a cafeteria, office space, and a used-clothing repository for homeless patients. Some murals were painted over. Others were covered by layers of kitchen grease or wallpaper.

In 1991, Bellevue underwent a major architectural redesign and the atrium was to become the main entranceway to the hospital (a significant upgrade from the two-door entrance crammed next to a concrete parking garage). Excavation of the rotunda revealed the murals, which the artist had—perhaps prophetically—coated with protective wax. The Municipal Art Society helped track down Margolis, who had not seen the murals in half a century and never expected to see them again. The 80-year-old artist spent close to a year helping with the restoration along with Loretta Kielar. He touched up the murals that contained his parents, his childhood dog, a friend who had fought in the Spanish civil war, an influential art curator, and the nurses and doctors who had befriended him during the original painting sessions.

Margolis enjoyed evenings at the Savoy Ballroom with abstract expressionist Willem de Kooning, and helped Diego Rivera install his murals at Rockefeller Center. and the Federal Art Project. In 1995, Margolis received a Design Award from the Public Design Commission of New York City for his murals painted for the WPA.

Family His parents were Israel Margolis and Shendel (Russman) Margolis. His brother was Boris (Baruch) Margo (Margolis) (1902–1995). He married Ruth Margolis and had three children: Yeugenia, Helene, Adrienne. In 2000, he protested the demolition of the Poe house by New York University.