Cristina Fernández Cubas

Cristina Fernández Cubas (born 1945) is a Spanish writer and journalist. She has been described as "one of the most important writers who have begun to publish since the end of the Franco dictatorship" and has been credited with inaugurating "a renaissance in the short story genre in Spain."

Biography and literary career Fernández Cubas studied Law and Journalism at the University of Barcelona, where she met the writer Carlos Trías Sagnier, whom she later married. They have travelled extensively, and lived in many different cities, including Cairo, Lima, Buenos Aires, Paris, and Berlin.

Fernández Cubas practised journalism from an early age and published her first collection of short stories, Mi hermana Elba, in 1980. This was followed by Los altillos de Brumal (1983), El ángulo del horror (1990), Con Ágatha en Estambul (1994), and Parientes pobres del diablo (2006), which won the Setenil Award in the same year. In 2009, her anthology Todos los cuentos was awarded several prizes, including the Premio Ciudad de Barcelona, the Premio Salambó, the Premio Qwerty and the Premio Tormenta.

She has written several novels. El año de Gracia (1985), principally set on the Scottish island of Gruinard, is an example of modern Spanish literature at its finest, with all the characteristics of a modern classic. It is partly based on a true story reported in El País, around which the author weaves a narrative which takes the reader into the realms of the fantastic. It’s a great adventure story and at the same time a voyage of personal discovery, a rite of passage. El columpio (1995) is the story of a girl's re-encounter with her three estranged uncles who share a house in a remote corner of the Pyrenees. In 2013, she published the novel La puerta entreabierta under the pseudonym Fernanda Kubbs, in which a sceptical journalist undergoes an unexpected transformation when she visits a clairvoyant.

She has also written a play, Hermanas de sangre (1998), a book of memoirs, Cosas que ya no existen (2001), which, much to her delight, won the Premio NH Hoteles for short stories in 2001, and an outstanding biography of Emilia Bazán (2001).

In 2016, Fernández Cubas was awarded the National Literature Prize for Narrative and the Premio de la Crítica Española for her collection of short stories La habitación de Nona (2015), translated into English as Nona’s Room. In his review in the New York Times, the critic Terrence Rafferty comments: "In these six elegant stories she’s most interested in the ambiguities and periodic disturbances that plague the imagination, and reports on them with the appropriate sense of awe, even of dread. In the territory of the imagination, the threat of madness is never too far away, a dark cloud hovering." Another critic, Lucy Scholes, has commented that the author "brings darkness to light with uncanny flair", also warning that these, "off-kilter Gothic short stories are remarkable but not for the faint-hearted". More recently, her stories have been praised for their surrealism by literary critic Rachel Rees.

In the words of the academic Phyllis Zatlin, "her stories tend to explore the mysteries of both external reality and of the human psyche. Most of them, including some that fall outside the fantastic mode, explore inner worlds of fantasy and unconscious desires".

In December 2021, Cristina was awarded an honorary doctorate by the University of Alcalá de Henares.