Cengiz Doğu

Cengiz Doğu (1 August 1945 – 14 November 2019) was a Turkish poet and activist against racism and discrimination who fled from political persecution in Turkey to Germany.

Life Cengiz Doğu went to school in İzmir and studied Turkish language and literature from 1965 till 1974 in Istanbul. He was politically active since 1966, as he approached the Workers' Party of Turkey ideologically and co-founded the "Student Association of Turkish Studies" in 1968.

After the 1971 Turkish military memorandum, all student associations were banned, and Cengiz Doğu was jailed for 20 days. He completed his military service from 1975 to 1977, but his studies were cancelled in 1977. He worked as a newspaper proofreader and emigrated to Germany in 1978, but returned to Turkey after a few months. However, after the 1980 Turkish coup d'état, Doğu had to fear for his life and fled to Germany for good. then spokesperson of the Bavarian Refugee Council, and moved to Dachau. In 1991, he was recognized as an asylum seeker and received German citizenship in 1997. while earning his living as a storage worker. Together with Osvaldo Bayer and Urs M. Fiechtner he developed the documentary short film Asylum (1984). The film was shown at the International Festival of the Film Schools in Munich (Internationales Festival der Filmhochschulen München) and won a prize of the German Film Critics at the International Short Film Festival in Oberhausen (Internationale Kurzfilmtagen Oberhausen).

In 1989 Doğu became a member of the "Verband deutscher Schriftsstellerinnen und Schriftsteller" and later was engaged in the Munich group of the "Werkkreis Literatur der Arbeitswelt", a writers' group in Germany that not only involved professional but also freelance writers.

Cengiz Doğu died in Dachau after a long illness on 14 November 2019 and now rests at the Waldfriedhof.

In 1988 Doğu published bilingual collection of poems Das Lager gleicht nicht den Kerkern Anatolien. In seven years in the collection camp in Neuburg an der Donau, he had created poems in which he sings the sad song of asylum, the longing for home and freedom for his country, but also powerful verses of love, life and death. He opposes the long nights in the camp to "the small, wretched cells of the Anatolian dungeons in which humanity bleeds." A forest near the Danube, that he got to know "for three and a half years," is also reflected in his further book of poems Neuburg Lieder. Just like the forest, Doğu feels confined to a location and "can not change his place."