Catherine Perrot

Catherine Perrot (1655–1695) was a French miniature painter specialising in flowers and animals. A pupil of the court artist Nicolas Robert, she became one of the few women admitted to the Royal Academy of Painting and Sculpture in the seventeenth century and was also the author of treatises on miniature painting.

Life Catherine Perrot was born in March 1655, the daughter of a Parisian bourgeois. She studied painting under Charles Le Brun and Nicolas Robert, the latter a leading royal flower painter. On 31 January 1682, Perrot was formally received into the Académie royale de peinture et de sculpture as a flower painter, becoming the seventh of only fifteen women admitted in the institution’s history. Her Académie records include the remark, ce sans tirer à conséquence, indicating that her acceptance was exceptional and not intended to set a precedent for the admission of other women.

After many years developing her craft, Perrot established herself as a prominent miniature painter, authoring treatises on the subject and providing instruction to members of the French royal family, including the niece of Louis XIV, Marie-Louise d'Orléans.

Perrot married twice. Her first husband was Georges Charvet, with whom she had a son, Jacques Charvet, born in 1680. She later married Claude Horry, a Parisian notary, on 12 May 1679; the couple lived on Rue de la Barillerie, near the Palais de Justice in Paris.

Perrot trained under Nicolas Robert, a prominent botanical painter of Louis XIV’s court. Under his guidance, she learned the techniques of miniature painting, focusing on flowers, animals, and other natural subjects. Her treatises on miniature painting drew extensively on Robert’s engravings as models for study and instruction.

Publications

Les leçons royales ou la manière de peindre en mignature les fleurs & les oyseaux (1686) – Royal Lessons, or How to Paint Flowers and Birds in Miniature Perrot’s first treatise, based on the engravings of her teacher Nicolas Robert, providing detailed instruction on copying and colouring flowers and birds in miniature. Traité de la mignature (1693) – Treatise on Miniature Painting An expanded edition of her 1686 work, incorporating additional subjects such as landscapes, biblical figures, and saints. This edition also included theoretical reflections, a lexicon of technical terms, and an index.