Carlos Vidal Bolado

Carlos Vidal Bolado (1914–1996), also known as "Vidal Bolado", was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz (with Machito and his Afro-Cubans).

Early career

In the 1930s Vidal began performing with the Afro-Cuban Ensemble of Santos Ramírez and with the Casino de la Playa orchestra in and Havana, Cuba.

Later career In the 1940s and 1950s, Carlos Vidal became one of a handful of Cuban congueros to emigrate to the United States and settled in New York. Other notable congueros who came to the U.S. during that time include Mongo Santamaria, Armando Peraza, Chano Pozo, Francisco Aguabella, Julito Collazo and Cándido Camero. Vidal arrived in the U.S. in 1943, before any of the other previously mentioned musicians.

New York In 1943 he is first reported to have performed at the Havana-Madrid Club located on Broadway and 51st Street, with Lilón y Pablito in the group The Four Cuban Diamonds, as a tumbador, dancer and singer.

California

After his tenure with Machito, in 1948 he joined Stan Kenton's Los Angeles based Progressive Jazz Orchestra with which he recorded anthological songs such as "Cuban Episode" as well as "Incident in Sound" where Vidal shines both in percussion and vocals.

His residency in Los Angeles lead him to play and record with musicians such as Dámaso Pérez Prado, Xavier Cugat, René Touzet, Chico O'Farrill, Anselmo Sacasas, Eartha Kitt, Nat King Cole, Shorty Rogers, Francisco Aguabella, The Four Freshmen, Harry Belafonte, Shorty Rogers, Tadd Dammeron's Big Ten, Miles Davis, Charlie "Bird" Parker, Fats Navarro, pianist Al Haig, and saxophonist Stan Getz, Dexter Gordon, Max Roach and Curly Russell.

In the 1960s he recorded and performed with The Jazz Crusaders, the Estrada Brothers, Poncho Sánchez, Willie Bobo, Vince Guaraldi. He also recorded the classics Yambú and Afroroots phonograms with lead musician Mongo Santamaría along with Armando Peraza, Modesto Durán, Luis Miranda, Francisco Aguabella.

Selected discography

As leader Voodoo Drums (SMC, 1948) Congo Drums (Tampa Records, 1956)

As sideman With Les Baxter Les Baxter's African Jazz (Capitol, 1959)

With Nat King Cole Cole Español (Capitol, 1958) Nat King Cole Sings/George Shearing Plays (Capitol, 1962)

With The Jazz Crusaders Chile Con Soul (Pacific Jazz, 1965)

With Bobby Darin Winners (Atco, 1964) From Hello Dolly to Goodbye Charlie (Capitol, 1964)

With Stan Kenton A Presentation of Progressive Jazz (Capitol, 1948) Encores (Capitol, 1949) Innovations in Modern Music (Capitol, 1950) City of Glass (Capitol, 1951) The Kenton Era (Capitol, 1955)

With Charlie Parker and Dizzy Gillespie Bird and Diz (Clef, 1952)

With Shorty Rogers Afro-Cuban Influence featuring Carlos Vidal & Modesto Duran (RCA Victor, 1958)

With Kitty White Sweet Talk (Roulette, 1959)

With Clare Fischer Manteca! (Pacific Jazz, 1965)

Filmography Cha-Cha-Cha Boom! (1957)