Carla Stellweg

Carla Stellweg (8 June 1942 – 20 October 2025) was a Dutch art historian.

Stellweg was born in the Dutch East Indies where she lived as well as in the Netherlands, Mexico and New York. She began her career in 1965 working as an assistant curator to Fernando Gamboa, the renowned museum builder who organized a plethora of international exhibitions on Mexico, its art and culture around the world. Stellweg was an art historian, curator, and writer with a specialization on Latin American and Latino-US art and artists. She served as Deputy Director of the Rufino Tamayo Museum at its opening and prior to the Tamayo Museum, she co-founded, edited and directed the first bilingual (Spanish-English) arts magazine in Latin America from 1973 to 1981.

Early life and education Carla Margareta Stellweg was born on 8 June 1942 in Bandung, Japanese-occupied Dutch East Indies, and moved with her parents to Mexico in 1958. She earned a Bachelor of Arts from Grotius College of The Hague and was a Candidate for Master of Fine Arts in art history at the University of the Americas in Mexico City.

Career In 1973, Stellweg and Fernando Gamboa, director of the Museo de Arte Moderno (MAM) in Mexico City co-founded Artes Visuales, the first contemporary avant-garde visual arts magazine publication in Spanish and English in Latin America. In 1976, Stellweg devoted an issue of Artes Visuales covering the participation of women in the arts. Mexican-based artists and critics did not accept the concept of a feminist based movement, fearing that adoption of a feminist strategy would have negative repercussions.

In 1979 Stellweg became the deputy director of the newly built Rufino Tamayo Museum, but within a short time, moved to New York City. From 1983 to 1985, she was the co-owner and director of the Stellweg-Seguy Gallery, She became the chief curator of the Museum of Contemporary Hispanic Art (MOCHA) in 1986, and left in 1989 to found her own gallery. The Carla Stellweg Gallery operated from 1989 to 1997 and was located in New York City and focused on emerging as well as mid-career Latin American and Latino artists of various media. Prior to Blue Star, Stellweg was awarded a Rockefeller Fellowship in the Humanities at the UT Austin, Texas, where she conducted research leading to, If Money Talks Who Does the Exhibition Talking?: 1980s Latin American and Latino Art.

Stellweg acted as an independent consultant, including a project entitled Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors and The Latin American Spirit: Art and Artists in the US, 1920-1970, and has authored numerous publications.

Stellweg died in Cuernavaca on 20 October 2025.

Selected works "De cómo el arte Chicano es tan indocumentado como los indocumentados." Artes Visuales.(México, D. F., México) No. 29 (Jun. 1981) pp 23–28 (In Spanish) "The way in which Chicano art is as undocumented as the "undocumented"" Artes Visuales (Mexico City, Mexico) No. 29 (June 1981) pp 29-31 Joaquin Torres Garcia (1984), Arnold Herstand Gallery catalog Frida Kahlo: the face behind the mask, a photographic portfolio (1985?) “"Magnet - New York": conceptual, performance, environmental, and installation art by Latin American artists in New York.” In The Latin American Spirit: Art and Artists in the United States, 1920-1970, pp 284–311, 332. Exh. cat., New York: Bronx Museum of the Artists, (1988) A collective of contemporary Colombian art (1989) Uncommon ground: 23 Latin American artists, 3 October – 5 November 1992 (1992) Spanish remnants: borders real and imagined (1992) In collaboration with Elena Poniatowska: Frida Kahlo : la cámara seducida (1992) (in Spanish) Frida Kahlo: The Camera Seduced (1992) Looking at the 90's: four views of current Mexican photography (1998) with María Josefa Ortega. Artes visuales: una selección facsimilar en homenaje a Fernando Gamboa (2009) (in Spanish)