Carl Robert Pope

Carl Robert Pope, Jr. is an artist, working primarily in the mediums of photography and video. His work address issues related to race in America, specifically the social conditions of African Americans. He has also made artworks that address the AIDS epidemic and other social and political issues in the US.

“We understand photography through advertising and through photojournalism, but the enriching way is the way that people take pictures of the people they love."

"I am dealing with the unconscious in that I don’t think about what I shoot, I just react to what I see. But I am only reacting to what I see and my thoughts about what I want to see. Before I go shoot I have made up my mind about some of the things I am interested in and what I hope to do. Then when I go out and shoot I have already programmed myself about some of the things I am interested in, but I leave myself open to see what happens. Later I think about what it is I have just seen and photographed and experienced."

“It will not be material assets,” he adds, “that will support us in the unknowable future we are about to face. It will be our ability to make innovative choices that will give us real stability and duration in our evolution as humans at this moment in history.”

Personal life Pope was born in 1961 in Indianapolis, Indiana. The photographs were hand colored gelatin silver prints.

In 1999, Pope had an exhibition in Hartford, Connecticut called Palimpsest. In this video installation, “Pope posits his body and consciousness as the embodiment of society’s negative assumptions about race, gender and identity in all of its complexities”. The exhibition consisted of a video installation on a wall, with wall text written by his twin sister, Karen. The video showed Pope’s body being altered in ways to highlight how race is perceived as an intrinsic trait, rather than a superficial one. His body is intrinsic to the work. In fact, in the last segment of the video, Pope has a poem written by his sister tattooed across his entire body.

Artwork The New Georgia State Flag Project in 1994 Men Women and Children in 1990 Catharsis: A Ten Year Survey in 1991 The Bad Air Smelled of Roses in 2006, Cleveland Institute of Art in 2018 Clarity as Concept: A Poet’s Perspective in 2017, Located in the main Tube Factory gallery space, the exhibit was a co-curatorial project between Mari Evans, Carl Pope and Shauta Marsh. It consists of a commissioned installation piece by artist Carl Pope related to Evans’s photos, poetry and book of essays, “Clarity as Concept: A Poet’s Perspective.” Nashville Visionaries in 2019 at Tennessee State University

Selected collections Minneapolis Institute of Art, Minneapolis, Minnesota

Whitney Museum of American Art, New York