Audrey Cruddas

Audrey Cruddas (1912–1979) was an English costume and scene designer, painter and potter.

Biography Born in Johannesburg, South Africa, Cruddas moved to England with her parents when she was an infant. After leaving school she studied art at St John's Wood School of Art, Royal Academy Schools, and Bram Shaw School of Drawing and Painting. During the Second World War, she worked as a 'Land Girl' in the Women's Land Army. At the end of the conflict she began to design costumes for the theatre and was quickly talent spotted by the dancer and actor Sir Robert Helpmann. Cruddas soon became one of the leading modern theatre designers of the post war period.

Cruddas' first commission was designing costumes for The White Devil at the Duchess Theatre, London (1947). This production starred her friend and mentor Robert Helpmann. Other early career highlights were for John Burrell’s 1947 Old Vic production of Taming of the Shrew and Verdi's, Aida at Convent Garden (1948). Notable later productions include Michael Benthall’s Old Vic productions of Julius Caesar (1955), Cymbeline (1957), and Hamlet (1958), and Peter Potter's Edinburgh Festival production of ‘The Wallace’ (1960).

In 1952, Cruddas illustrated a Folio Society edition of William Shakespeare’s, The Tragedy of Antony & Cleopatra (the forward of this edition was written by her friend, Laurence Olivier) and the book was republished again in 1963. Although best known for her theatre work she was an accomplished artist in different mediums – painting, drawing and ceramics. That same year, she also won the Donaldson Award for outstanding achievement for her designs for Caesar and Cleopatra. the British Museum and the Fry Art Gallery at Saffron Walden.