Andra Ursuţa

Andra Ursuța (born 1979) is a Romanian-American sculptor who has lived and worked in New York since 2000. Ursuța is known for her nihilistic portrayal of the human condition, confronting issues such as patriotism, violence against women, and the “expulsion of ethnic groups”. Ursuța's work is held in public collections worldwide.

Early life Ursuța was born in 1979 in Salonta, (Hungarian: Nagyszalonta) Romania, a town on the Romanian-Hungarian border under the Communist leadership of Nicolae Ceaușescu. She emigrated to the United States in 1997, and moved to New York in 1999. In 2002, Ursuța received a Bachelor of Arts in Art History and Visual Arts from Columbia University in New York City. Ursuța uses a variety of media, merging traditional sculpture with new technologies to transform common materials into visceral sculptures and installations.

Many of Ursuța's sculptures begin as assemblages of vessels, scrap materials, and renderings of the human body. Conceptually, Ursuța's sculptures contain a collection of cultural references ranging from rock-n-roll to health cults.

In her Stoner (2013) installation, Ursuța uses a fenced-off pitching machine that hurtles round rocks at a tiled wall containing strands of long, black hair (as if depicting that women are walled up inside) to explore themes of organized misogyny, jock culture, and competitive aggression. – uses both 3-D printing and ancient lost-wax casting, contrasting free will and choice, life and death, and ambition and helplessness. As described in an essay by Chris Wiley, this work captures the human tendency to “strive and stretch and sweat our way towards a more perfect body, and a calmer, clearer mind, [although] the undertow of decay will always be too strong for us to fight." The sculptures, the delicacy of their material and the intimacy of their forms, offer a sobering truth that “our bodies and our histories will vanish, like raindrops in an ocean squall. All of this might be for nothing, all of us might be nobodies.” As Ursuța defamiliarizes the bodily form, the remaining figures perhaps reveal "...our brains…locked in the prisons of our dying bodies." In the 2022 Venice Biennale, Ursuța's work was noted in the Telegraph as being "simultaneously alluring and unsettling crystalline figures, like cyborg amputees imagined by a female alter ego of Jacob Epstein." Ursuța's exhibit in the show was also noted in a review by Vanity Fair.

Collections Ursuţa's work is held in public collections worldwide, including the Aïshti Foundation, Beirut; DESTE Foundation for Contemporary Art, Athens; Fondazione Sandretto Re Rebaudengo, Turin, Italy; Hammer Museum, University of California, Los Angeles; Institute of Contemporary Art, Miami; and the Rubell Museum, Miami; and the Pérez Art Museum Miami, Florida. Ursuţa has been featured in three Venice biennials: 2013, 2019, and 2022. Ursuţa lives and works in New York.

Solo exhibitions Ursuța's first solo exhibition – Andra Ursuța: The Management of Barbarism – was displayed in 2010 at Ramiken Crucible, NY. Since 2010, Ursuța's work has been the subject of solo exhibitions at prominent venues in the U.S. as well as internationally.

2010: The Management of Barbarism, Ramiken Crucible, New York, NY 2011: Vandal Lust, Ramiken Crucible, New York, NY 2012: Storage Space, Ramiken Crucible, New York, NY 2012: Magical Terrorism, Ramiken Crucible, New York, NY 2012: Mothers, Let Your Daughters Out Into the Streets, Francois Ghebaly Gallery, Los Angeles, CA 2013: Solitary Fitness, Venus Over Manhattan, New York, NY 2014: Fartchitectures, The Peep-Hole Art Center, Milan, Italy 2014: Hammer Projects: Andra Ursuţa, Hammer Museum, University of California, Los Angeles, CA 2014: Scytheseeing, Kölnischer Kunstverein, Cologne, Germany 2014: Tongue Mops and Bunny Pictures, Ramiken Crucible, New York, NY 2014–2015: As I Lay Drying, Institute of Contemporary Art, Miami, FL 2015: Enslavables, Massimo De Carlo, London, England 2015: Ο Νότος θα εγερθεί ξανα, Massimo De Carlo, Milan, Italy 2018–2019: Andra Ursuţa: Vanilla Isis, Fondazione Sandretto Re Rebaudengo, Turin, Italy 2019: Nobodies,

2011: Ostalgia, New Museum, New York, NY 2013–2014: Busted, The High Line, New York, NY 2013: Expo 1: New York, MoMA PS1, New York, NY 2013: The 55th Venice Biennale: The Encyclopedic Palace, Venice, Italy 2015: Artists and Poets, Secession, Vienna, Austria 2015–2016: The 13th Lyon Biennale: La vie moderne, Lyon, France 2016–2017: High Anxiety: New Acquisitions, Rubell Museum, Miami, FL 2017: A Good Neighbour: 15thIstanbul Biennial, Istanbul, Turkey 2017–2018: The Trick Brain, Aïshti Foundation, Beirut, Lebanon 2019: The 58th Venice Biennale: May You Live In Interesting Times, Venice, Italy 2019: The Warmth of Other Suns: Stories of Global Displacement, The Phillips Collection, Washington, DC 2020: 20/20, David Zwirner, New York, NY 2022: Vessels, David Zwirner, London, England 2022: The 59th Venice Biennale: The Milk of Dreams, Venice, Italy