Aloys Wach

Aloys Wach or Aloys Ludwig Wachelmayr (sometimes Wachelmeier, 30 April 1892 – 18 April 1940) was an Austrian expressionist painter and graphic artist. He was born in Lambach, Upper Austria, and died in Braunau, Upper Austria. While his birthplaces him close to the generation that laid the foundations of modern art and especially expressionism, his life as an artist, however, began after cubism, futurism and the expressionists of the Der Blaue Reiter and Die Brücke movements had initiated a time of great changes. In his later life, Wach abandoned his artistic roots and distanced himself from his early expressionist works by turning to religious imagery. Today, however, those early works are seen as his greatest accomplishments.

Biography Wach decided to become an artist early on in his life, and arrived in Vienna at the young age of 17, but initially suffered a series of setbacks. He was rejected as a student by the academy in Munich and attempted unsuccessfully to study art in Vienna. He received formal education at the Knirr-Sailer painting school in Munich as well as, in 1913, the Académie Colarossi in Paris. He finished his studies with Heinrich Altherr in Stuttgart.

In 1915 and 1916, Wach created a series of woodcuts showing the horror of war. Postcard-size woodcuts such as Ein Totentanz von 1914 ('A Dead Dance of 1914') and Straße der Schicksale ('Road of Destiny') depict an industrialized war of detonating bullets and dying soldiers. Wach served in World War I in non-combative assignments. In 1916/7, he published seven woodcuts to accompany a poem called Kriegstotentanz 1914, by an otherwise unknown poet named F.R. Zenz.

Wach, Georg Schrimpf and Fritz Schaefler were members of the short-lived but important Aktionsauschuss Revolutionärer Künstler (Action Committee of Revolutionary Artists) which formed in 1919. Wach's woodcuts appeared in connection with radical causes and drew widespread attention in the daily press, at risk to himself.

From 1919 to 1920, he created the wood carving cycle "Der verlorene Sohn". From 1920 he created expressionist still lifes, landscape paintings and portraits in Braunau, but later distanced himself from paintings of this period. A set of 16 wartime etchings, "Ein Totentanz" von 1914 was published in portfolio form in 1922. Following the Anschluss in 1938, Wach was banned from painting by the Nazi regime. He died on 18 April 1940 of tuberculosis and malnutrition. His works were willed to Ernest Tross, who received them in Denver, Colorado in 1945.

In 1956, a retrospective exhibition was held at the Los Angeles Museum of History, Science and Art, with works lent to the museum by Tross, who also wrote the catalog.

Selected paintings